A work in constant progress (and occasional regress).
Birthplace:
Melbourne, Australia
Born:
March 17, 1992
Adrian Ortega is an award-winning narrative and documentary filmmaker based in Melbourne. A first-generation Australian, from an Italian/Spanish migrant family, Adrian was raised in the inner-western suburbs by his single mother. His first 2 documentaries Bodycrash and Modus Operandi were met with critical acclaim and media coverage from publications such as Junkee, VICE, The Daily Mail U.K., as well as Channel 10 News. His third documentary short They Call Me Spiderman was accepted in the Official Selection for The St. Kilda Film Festival in 2016. His debut feature film Cerulean Blue, which he wrote, directed, and produced, had its World Premiere to sold out audiences at the 68th Melbourne International Film Festival in 2019. It then went on to win the El Rey Award for Excellence in Film Directing at the Barcelona International Film Festival. It is currently streaming exclusively on Stan in Australia, and on Amazon Prime in the US and UK. In 2016, Adrian founded Proud Wing Films, a production company focussed on bringing new stories and new voices to Australian cinema. The second film produced under Proud Wing Films after Cerulean Blue was Senie Priti’s debut short film Alba, which received a Special Mention in the Rebel8 Award for Outstanding Emerging Female Director at Flickerfest in 2021. Recently, Adrian produced Aarushi Chowdhury’s debut short film Clown which had it’s World Premiere at SXSW Sydney, and then went on to screen at the 72nd Melbourne International Film Festival, the Darwin International Film Festival, the Byron Bay Film Festival, and the Australian Women's Film Festival where Aarushi went on to win the “One To Watch” award, presented by Leah Purcell. Adrian has a deep passion for telling stories about flawed individuals, especially ones from his life. Characters who have questionable motives and make even more questions decisions in their search for salvation. He is inspired by European art cinema, especially those by Andrea Arnold, in how they portray these realistic three-dimensional characters that audiences can either connect to on a personal level or are fascinated by. Adrian is currently in post-production on his second feature film Westgate.
Camera Operator:
???? Brunswick Dance Club
Director:
2019 Cerulean Blue
???? Brunswick Dance Club
???? Westgate
Executive Producer:
2019 Cerulean Blue
???? Brunswick Dance Club
???? Westgate
First Assistant Camera:
2019 Cerulean Blue
2024 Sunflower
???? Brunswick Dance Club
???? Westgate
Producer:
2019 Cerulean Blue
2021 Alba
2023 Clown
2024 Sunflower
???? Brunswick Dance Club
???? Westgate
Writer:
2019 Cerulean Blue
2021 Alba
2023 Clown
2024 Sunflower
???? Brunswick Dance Club
???? Westgate
Editor:
2018 Submerged Universe
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.