A work in constant progress (and occasional regress).
Alias:
Allie Avital
Allie Avital is a director and screenwriter. Her work has been Vimeo Staff Picked nine times, featured in the New York Times, NPR, Nowness, Buzzfeed, PromoNews, "best of" lists, has been nominated for Camerimage (Best Music Video and Best Cinematography), and the UKMVAs (‘18,‘17). Her work has screened at SXSW Competition (Jury Recognition Award ‘19, ‘18), Sundance NEXT, BAM Cinemas, IFC, BUG, Havana Film Festival, and many more. Allie’s Russian language short film “The Naked Woman” premiered on NoBudge in June 2019 and won the Audience Award on Short of the Week. She developed the feature version at the Venice Biennale Cinema College. Allie is in early pre-production for her debut feature film.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.