A work in constant progress (and occasional regress).
Alias:
Селеста Брюнкель
Birthplace:
Paris, France
Born:
July 24, 2002
Céleste Brunnquell made her film debut in 2019 in Sarah Suco’s Les Éblouis (The Dazzled), for which she was nominated for a César for Best New Actress and won the Best Actress prize at the Sarlat Festival. She then starred alongside Dominique Blanc, Laure Calamy, Doria Tillier and Jacques Weber in L’Origine du mal (The Origin of Evil) by Sébastien Marnier. On television, she played the character of Camille in the series En thérapie by Éric Toledano and Olivier Nakache, broadcast on Arte. In 2022, she played in Fifi by Jeanne Aslan and Paul Saintillan, presented in Competition at Premiers Plans. Last December, she starred in Erwan Le Duc’s La Fille de son père (No Lovve Lost) with Nahuel Pérez Biscayart.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.