A work in constant progress (and occasional regress).
Cinematography:
2011 No Sex Just Understand
2014 Apt. + Car + All I Have and Own
Co-Editor:
2011 Maybe tomorrow
2011 No Sex Just Understand
2014 Apt. + Car + All I Have and Own
Co-Producer:
2011 Maybe tomorrow
2011 No Sex Just Understand
2014 Apt. + Car + All I Have and Own
Director:
2011 Maybe tomorrow
2011 No Sex Just Understand
2012 I'm Leaving on Wednesday
2014 Apt. + Car + All I Have and Own
2016 Ingen sömn på Stengatan
2018 The Power Grid
2021 Not Until Now
Director of Photography:
2011 Maybe tomorrow
2011 No Sex Just Understand
2012 I'm Leaving on Wednesday
2014 Apt. + Car + All I Have and Own
2014 Verden venter
2016 Ingen sömn på Stengatan
2018 The Power Grid
2021 Not Until Now
Editor:
2011 Maybe tomorrow
2011 No Sex Just Understand
2012 I'm Leaving on Wednesday
2014 Apt. + Car + All I Have and Own
2014 Verden venter
2016 Ingen sömn på Stengatan
2018 The Power Grid
2019 The Family Farm
2021 Not Until Now
Producer:
2011 Maybe tomorrow
2011 No Sex Just Understand
2012 I'm Leaving on Wednesday
2014 Apt. + Car + All I Have and Own
2014 Verden venter
2016 Ingen sömn på Stengatan
2018 The Power Grid
2019 The Family Farm
2021 Not Until Now
Screenplay:
2011 Maybe tomorrow
2011 No Sex Just Understand
2012 I'm Leaving on Wednesday
2014 Apt. + Car + All I Have and Own
2014 Verden venter
2016 Ingen sömn på Stengatan
2018 The Power Grid
2019 The Family Farm
2021 Not Until Now
Writer:
2011 Maybe tomorrow
2011 No Sex Just Understand
2012 I'm Leaving on Wednesday
2014 Apt. + Car + All I Have and Own
2014 Verden venter
2016 Ingen sömn på Stengatan
2018 The Power Grid
2019 The Family Farm
2021 Not Until Now
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.