Salih Dikişçi (1940-2009)

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Alias:
Salih Dikisci
Salih Dikisçi

Birthplace:
Malatya, Turkey

Born:
April 10, 1940

Died:
August 7, 2009

Additional information:

The Search Form


Camera Operator:
1977  Dört Ateşli Yosma
1979  Şıllık

Cinematography:
1970  Hedefte İki Kişi
1971  Asker Ahmet
1971  Four Hot Flirts
1971  Professionals: Blood Grudge Weapon
1972  Şafakta Vuruşanlar
1973  Black Satan
1974  The Black Bull
1975  Ah Deme Oh De
1976  Kader Utansın
1977  Dört Ateşli Yosma
1978  Fırat'ın Cinleri
1979  A Woman's Revenge
1979  Black Head
1979  Günahkâr Kadın
1979  Okay, Honey?
1979  Seven Husbands
1979  Çiplaklar
1979  İnsanları Seveceksin
1979  Şıllık
1980  Hasan the Rose
1980  On Fertile Lands
1982  Gırgır Ali
1984  The Stigma
1984  Three Supermen at the Olympic Games
1989  A Dead Sea
1990  Bir Küçük Bulut

Director of Photography:
1970  Hedefte İki Kişi
1971  Asker Ahmet
1971  Four Hot Flirts
1971  Hedefte İmzam Var
1971  Professionals: Blood Grudge Weapon
1972  Tear Behçet Apart
1972  Şafakta Vuruşanlar
1973  Black Satan
1973  Penniless Ali
1974  The Black Bull
1975  Ah Deme Oh De
1976  Kader Utansın
1976  Tantana Kardeşler
1976  Taxi Driver
1977  Affedilmeyen
1977  Arabacının Aşkı
1977  Cesur Yabancı
1977  Dört Ateşli Yosma
1977  Hırsız Milyoner
1977  Şeref Yumruğu
1978  Fırat'ın Cinleri
1979  A Woman's Revenge
1979  Black Head
1979  Günahkâr Kadın
1979  Okay, Honey?
1979  Seven Husbands
1979  Çiplaklar
1979  İnsanları Seveceksin
1979  Şıllık
1980  Hasan the Rose
1980  On Fertile Lands
1980  Rahmet ve Gazap
1982  Gırgır Ali
1982  The Immortal
1982  Yakılacak Kadın
1982  Çayda Çıra
1983  Adile Teyze
1983  Anlatamadım
1984  Balayı
1984  Fidan
1984  Kanun Kanundur
1984  The Stigma
1984  Three Supermen at the Olympic Games
1986  Halkalı Köle
1988  Ayrı Dünyalar
1988  Gömlek
1989  A Dead Sea
1990  Bir Küçük Bulut
1990  Yeşil Bir Dünya
1993  Kızılırmak Karakoyun
1994  Ağrı'ya Dönüş
1998  Eski Fotoğraflar
1999  Şara

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Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.