A work in constant progress (and occasional regress).
Alias:
Geoffrey Banks
Birthplace:
England, UK
From a young age, Russell was fascinated with movies he recalls how his father would leave VHS tapes recording on the movie channels. Then every time he saw him would give him a box of potluck tapes to watch. Russell was expelled from school at the age of fifteen he worked numerous different jobs from being a market trader to working in call center's to a barman in nightclubs to construction worker to name just a few. He would attend acting classes whenever he could afford to and would write screenplays in his spare time. He went on a holiday to Thailand where he met people who worked in film and decided by doing stand in jobs on u.s productions was his best option to learn about film and acting. For the next few Years, he did small acting jobs and extra to get by while standing in and learning from actors such as Bradley Cooper, Neil McDonagh, James Vander Beek, Chow Yun-fat. When he returned to the UK he studied Method Acting under Sam Rumbelow. Russell's First Lead role came as the Character Clayton in the film Goodnight Gloria a film he co-wrote with the director Jack Everitt. The film was shot around London during the winter months he recalls for half the shoot staying on his close friend Deanne Charles floor and the other half staying in a Caravan on a traveler site in Luton. The same Caravan was used in filming by Byron Gibson's Character. Over the next years, Russell's Characters have been from the darker side of life usually emotionally torn whether it be a scam artist in deep water to a mythological villain or a serial killer.
Writer:
2018 Who's Watching Oliver
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.