A work in constant progress (and occasional regress).
Director:
2016 Arte flamenca, pasión brasileira
2017 No Amor
2022 Lúcia e Olinda, Um Respiro Musical
Editor:
2016 Arte flamenca, pasión brasileira
2017 No Amor
2021 Palácio do FIm
2022 Lúcia e Olinda, Um Respiro Musical
Sound:
2016 Arte flamenca, pasión brasileira
2017 No Amor
2019 The Edge of Democracy
2021 Palácio do FIm
2021 Verona
2022 Lúcia e Olinda, Um Respiro Musical
2023 Plauto, Um Sopro Musical
???? Bright Nights
Sound Designer:
2016 Arte flamenca, pasión brasileira
2017 No Amor
2019 The Edge of Democracy
2020 Yellow Cage
2021 Palácio do FIm
2021 Verona
2022 Lúcia e Olinda, Um Respiro Musical
2023 Plauto, Um Sopro Musical
???? Bright Nights
Sound Director:
2016 Arte flamenca, pasión brasileira
2017 No Amor
2019 Dia de mudança
2019 The Edge of Democracy
2020 Yellow Cage
2021 Palácio do FIm
2021 Verona
2022 Lúcia e Olinda, Um Respiro Musical
2023 Plauto, Um Sopro Musical
???? Bright Nights
Sound Mixer:
2016 Arte flamenca, pasión brasileira
2017 No Amor
2019 Dia de mudança
2019 The Edge of Democracy
2020 Yellow Cage
2021 Palácio do FIm
2021 Verona
2022 Lúcia e Olinda, Um Respiro Musical
2023 Plauto, Um Sopro Musical
???? Bright Nights
Sound Re-Recording Mixer:
2016 Arte flamenca, pasión brasileira
2017 No Amor
2019 Dia de mudança
2019 The Edge of Democracy
2020 Yellow Cage
2021 Palácio do FIm
2021 Verona
2022 Lúcia e Olinda, Um Respiro Musical
2023 Plauto, Um Sopro Musical
2023 Reus, la vuelta al barrio
???? Bright Nights
Writer:
2016 Arte flamenca, pasión brasileira
2017 No Amor
2019 Dia de mudança
2019 The Edge of Democracy
2020 Yellow Cage
2021 Palácio do FIm
2021 Verona
2022 Lúcia e Olinda, Um Respiro Musical
2023 Plauto, Um Sopro Musical
2023 Reus, la vuelta al barrio
???? Bright Nights
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.