A work in constant progress (and occasional regress).
Alias:
I. Cube
Irma von Cube-Kalser
Irmgard VonCube
Irmgard von Cube
Birthplace:
Hannover, Lower Saxony, Germany
Born:
December 26, 1899
Died:
July 25, 1977
From Wikipedia, the free encyclopedia Irma von Cube (December 26, 1899 – July 25, 1977) was a German-American screenwriter. She began as an actress and a writer for films in Germany in the early 1930s, and continued when she arrived in the United States in 1938. Among her films is the They Shall Have Music (1939), Johnny Belinda (1948), for which she received an Academy Award nomination, and Song of Love (1947) co-starring Katharine Hepburn, Paul Henreid, and Robert Walker. She also directed one of five segments of the Italy-UK co-production anthology film A Tale of Five Cities (1951).
Adaptation:
1936 Mayerling
1957 Mayerling
Director:
1936 Mayerling
1951 A Tale of Five Cities
1957 Mayerling
Music:
1936 Mayerling
1951 A Tale of Five Cities
1957 Mayerling
Musical:
1934 My Song for You
1936 Mayerling
1951 A Tale of Five Cities
1957 Mayerling
Screenplay:
1930 The Stolen Face
1931 Calais-Douvres
1931 No More Love
1931 The High Tourist
1932 Sehnsucht 202
1932 The Cheeky Devil
1934 My Song for You
1934 The Million Hunters
1936 Mayerling
1939 They Shall Have Music
1951 A Tale of Five Cities
1957 Mayerling
Story:
1930 The Stolen Face
1931 Calais-Douvres
1931 No More Love
1931 The High Tourist
1932 Sehnsucht 202
1932 The Cheeky Devil
1934 My Song for You
1934 The Million Hunters
1936 Mayerling
1937 Under Secret Orders
1939 They Shall Have Music
1951 A Tale of Five Cities
1957 Mayerling
Writer:
1928 Mädchenschicksale
1930 Dolly is making a career
1930 Farewell
1930 The Stolen Face
1931 Calais-Douvres
1931 No More Love
1931 The High Tourist
1932 A Girl and a Million
1932 Gilgi: One of Us
1932 Sehnsucht 202
1932 Tell Me Tonight
1932 The Cheeky Devil
1932 The Song of Night
1932 Vous serez ma femme
1933 A Song for You
1933 All for Love
1933 Tell Me Tonight
1934 My Song for You
1934 The Million Hunters
1934 The Princess's Whim
1936 Mayerling
1936 The Fear
1937 Street of Shadows
1937 Under Secret Orders
1939 They Shall Have Music
1947 Song of Love
1948 Johnny Belinda
1951 A Tale of Five Cities
1952 The Girl in White
1957 Mayerling
Writers' Production:
1928 Mädchenschicksale
1930 Dolly is making a career
1930 Farewell
1930 The Stolen Face
1931 Calais-Douvres
1931 No More Love
1931 The High Tourist
1932 A Girl and a Million
1932 Gilgi: One of Us
1932 Sehnsucht 202
1932 Tell Me Tonight
1932 The Cheeky Devil
1932 The Song of Night
1932 Vous serez ma femme
1933 A Song for You
1933 All for Love
1933 Tell Me Tonight
1934 My Song for You
1934 The Million Hunters
1934 The Princess's Whim
1936 Mayerling
1936 The Fear
1937 Street of Shadows
1937 Under Secret Orders
1939 They Shall Have Music
1947 Song of Love
1948 Johnny Belinda
1951 A Tale of Five Cities
1952 The Girl in White
1957 Mayerling
2018 Clouzot : The Early Works
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.