A work in constant progress (and occasional regress).
Camera Department Manager:
2019 39-45 : Les policiers dans la résistance
Director:
2019 39-45 : Les policiers dans la résistance
2019 Hitlers Sista Dagar
2022 Le Commandant Charcot, croisière hi-tech dans les glaces
Director of Photography:
2016 Hitler's Mountain: Hidden Traces
2019 39-45 : Les policiers dans la résistance
2019 Hitlers Sista Dagar
2022 Le Commandant Charcot, croisière hi-tech dans les glaces
Sound:
2016 Hitler's Mountain: Hidden Traces
2019 39-45 : Les policiers dans la résistance
2019 Hitlers Sista Dagar
2022 Le Commandant Charcot, croisière hi-tech dans les glaces
Creator:
2020 Legendary Castles
2022 Futsal Social Club
Director:
2018 Au bout c'est la mer
2018 Montana Wild
2020 Legendary Castles
2022 Futsal Social Club
Writer:
2015 La science de l'étrange
2018 Au bout c'est la mer
2018 Montana Wild
2020 Legendary Castles
2022 Futsal Social Club
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.