A work in constant progress (and occasional regress).
Birthplace:
Hamburg, Germany
Born:
January 1, 1967
Jobst Knigge is a German filmmaker, writer and documentary director.
Co-Director:
2019 The Price of Protest
Director:
2012 Drei Leben: Axel Springer
2015 Mildred Scheel - Die First Lady und der Kampf gegen Krebs
2015 Stalin's Daughter
2017 Mata Hari: The Beautiful Spy
2017 Nikita Khrushchev – The Red Tsar
2018 The Karen Carpenter Story
2019 D-Mark, Einheit, Vaterland: Das schwierige Erbe der Treuhand
2019 The Price of Protest
2020 2020: A Very Particular Year
2020 Bhagwan - Die Deutschen und der Guru
2020 Katarina Witt - Weltstar aus der DDR
2020 Secret Teutoburg Forest
2021 40 Jahre Aids - Schweigen = Tod
2023 Geist, Geschäft und Party – 75 Jahre Frankfurter Buchmesse
2023 Naked: Sex and Gender
2023 Nuclear Power - End of an Era?
Writer:
2012 Drei Leben: Axel Springer
2015 Mildred Scheel - Die First Lady und der Kampf gegen Krebs
2015 Stalin's Daughter
2017 Mata Hari: The Beautiful Spy
2017 Nikita Khrushchev – The Red Tsar
2018 The Karen Carpenter Story
2019 D-Mark, Einheit, Vaterland: Das schwierige Erbe der Treuhand
2019 The Price of Protest
2020 2020: A Very Particular Year
2020 Bhagwan - Die Deutschen und der Guru
2020 Katarina Witt - Weltstar aus der DDR
2020 Secret Teutoburg Forest
2021 40 Jahre Aids - Schweigen = Tod
2023 Geist, Geschäft und Party – 75 Jahre Frankfurter Buchmesse
2023 Naked: Sex and Gender
2023 Nuclear Power - End of an Era?
Creator:
2022 Naked
Director:
2012 Too Young to Die
2022 Naked
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.