A work in constant progress (and occasional regress).
Birthplace:
Croydon, Surrey, England, UK
Charlotte Arrowsmith is a British actor and theatre director. She is Deaf and uses British Sign Language. When she turned 19, she enrolled in a BA Hons Theatre, Arts, Education and Deaf studies course at the University of Reading, after which she started an acting career in actingr, centered around theatrical productions. She was cast as the prophetess Cassandra in Troilus and Cressida (Royal Shakespeare Company), performing in Sign Language or using a creative mix of BSL, 'home' signs, gestures and visual vernacular. Other credits include Moonbird (Handprint Theatre), Midsummer Night's Dream and Love's Labour's Lost (Shakespeare Globe/Deafinitely Theatre) and Great Odds (Mac Arcadian). More recently, Charlotte was part of the 2019 Royal Shakespeare Company productions of As You Like It as Audrey and The Taming of the Shrew as the servant Curtis, both of which played in Stratford-Upon-Avon, in London and on tour across England. While performing in Sign Language, sometimes she is voiced over by another member of the cast, but sometimes her parts are not translated for the audience. During the run of The Taming of the Shrew, she became the first Deaf actress to understudy for a principal hearing actor, stepping in the main role as Vincentia. As well as a performer, Charlotte teaches and leads drama workshops with both Deaf and Hearing young people. She cites Ricky Gervais and Brian Duffy as two actors who inspired her. Charlotte has also performed at music festivals and in music videos as a sign song performer. She has featured on Benjamin Zephaniah's music video 'Touch'.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.