A work in constant progress (and occasional regress).
Camera Operator:
1959 Dagli Appennini alle Ande
Production Manager:
1959 Dagli Appennini alle Ande
1983 A Joke of Destiny, Lying in Wait Around the Corner Like a Street Bandit
Production Secretary:
1953 Riscatto - Tu sei il mio giudice
1958 Il cielo brucia
1959 Caravan Petrol
1959 Dagli Appennini alle Ande
1959 The Black Archer
1961 The Mongols
1965 Thrilling
1966 Our Husbands
1983 A Joke of Destiny, Lying in Wait Around the Corner Like a Street Bandit
Production Supervisor:
1953 Riscatto - Tu sei il mio giudice
1958 Il cielo brucia
1959 Caravan Petrol
1959 Dagli Appennini alle Ande
1959 The Black Archer
1961 The Mongols
1965 Thrilling
1966 Our Husbands
1966 The Hawks and the Sparrows
1969 The Damned
1970 Adiós, Sabata
1973 Amarcord
1983 A Joke of Destiny, Lying in Wait Around the Corner Like a Street Bandit
Unit Manager:
1953 Riscatto - Tu sei il mio giudice
1958 Il cielo brucia
1959 Caravan Petrol
1959 Dagli Appennini alle Ande
1959 The Black Archer
1961 The Mongols
1963 Hercules, Samson & Ulysses
1963 The Leopard
1964 Beautiful Families
1965 Thrilling
1966 Our Husbands
1966 The Hawks and the Sparrows
1966 The Witch
1968 Execution
1968 Johnny Hamlet
1969 The Damned
1970 Adiós, Sabata
1970 Operation Snafu
1972 Indian Summer
1973 Amarcord
1975 The Sex Machine
1976 A Woman at Her Window
1976 Fellini's Casanova
1980 City of Women
1981 Nobody's Perfect
1982 Count Tacchia
1982 Più bello di così si muore
1982 Si ringrazia la regione Puglia per averci fornito i milanesi
1983 A Joke of Destiny, Lying in Wait Around the Corner Like a Street Bandit
1984 Let's Make It Clear
1985 A me mi piace
1985 Popcorn e patatine
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.