A work in constant progress (and occasional regress).
Birthplace:
Florence, Italy
Born:
October 21, 1989
Riccardo Romano (b. 1989) is an Italian filmmaker and screenwriter passionate about crafting compelling, character-driven stories. Working across Europe, he honed his skills with a Master's in Scriptwriting from IULM University in Milan, followed by further training at the Holden School in Turin and the National School of Independent Cinema in Florence. Since 2018, Romano has been writing and directing no-budget short films, several of which achieved success on the festival circuit and were later acquired by international platforms such as WeShort, Sofytv, and Argo. As a screenwriter, he is best known for his collaboration with Bulgarian director Viktor Ivanov on the 2022 festival favorite "Vuja De". Shot in Paris and starring Filippo Scotti, the film earned selections in prestigious festivals, including Mammoth Lakes Film Festival (USA), Nòt Film Festival (Italy), PriFest (Kosovo), Oaxaca FilmFest (Mexico), and Evolution Mallorca International Film Festival (Spain). Romano is also a co-writer of Ivanov's debut feature film, set to premiere in 2025. As a director, Romano has progressed from micro-budget productions to funded projects, including his upcoming horror-drama short "(le) Vampire", supported by Nuovo IMAIE and slated for a 2025 release. In 2024, Romano also appeared in the cast of the Lithuanian filmmaker Saule Bliuvaite's debut feature, "Toxic", which won the Golden Leopard at the 77th Locarno Film Festival.
Additional Editor:
2018 Kismet
Assistant Director:
2018 Kismet
2024 Taoat
Director:
2018 Kismet
2020 Lemonade and the Immortality of Soul
2021 Valvonauta
2023 Decaf & Cigarettes
2024 Taoat
2025 (le) Vampire
???? Carro, ferro, farro
???? Kunstwollen
Editor:
2018 Kismet
2020 Lemonade and the Immortality of Soul
2021 Valvonauta
2023 Decaf & Cigarettes
2024 Taoat
2025 (le) Vampire
???? Carro, ferro, farro
???? Kunstwollen
Executive Producer:
2018 Kismet
2020 Lemonade and the Immortality of Soul
2021 Valvonauta
2023 Decaf & Cigarettes
2024 Taoat
2025 (le) Vampire
???? Carro, ferro, farro
???? Kunstwollen
???? Neno Who Killed His Father
Producer:
2018 Eden Hotel
2018 Kismet
2018 Locus Amoenus
2020 Lemonade and the Immortality of Soul
2021 Valvonauta
2023 Decaf & Cigarettes
2024 Taoat
2025 (le) Vampire
???? Carro, ferro, farro
???? Headlights
???? Kunstwollen
???? Neno Who Killed His Father
Still Photographer:
2018 Eden Hotel
2018 Kismet
2018 Locus Amoenus
2020 Lemonade and the Immortality of Soul
2021 Valvonauta
2022 Margherita. La voce delle stelle
2023 Decaf & Cigarettes
2024 Taoat
2025 (le) Vampire
???? Carro, ferro, farro
???? Headlights
???? Kunstwollen
???? Neno Who Killed His Father
Writer:
2018 Eden Hotel
2018 Kismet
2018 Locus Amoenus
2020 A Hundred Hours
2020 Lemonade and the Immortality of Soul
2021 Valvonauta
2022 Margherita. La voce delle stelle
2022 Vuja de
2023 Decaf & Cigarettes
2024 Taoat
2025 (le) Vampire
???? Carro, ferro, farro
???? Headlights
???? Kunstwollen
???? Neno Who Killed His Father
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.