A work in constant progress (and occasional regress).
Director:
2013 Filiatrault
2014 Training session
2016 Pas d'excuses, pas de limites
2017 Le retour du vinyle
2019 Une histoire complètement cirque
2020 Pour mes fils, mon silence est impossible
2021 Curieuse rentrée 2021
2022 Mélodies perdues - Une incursion des Ballets Jazz Montréal dans l’univers poétique de Patrick Watson
2023 Drags - Reines de la pop
2023 The Last Closet: Aging Gay
2024 Plamondon: des mots qui résonnent
Screenplay:
2013 Filiatrault
2014 Training session
2016 Pas d'excuses, pas de limites
2017 Le retour du vinyle
2019 Une histoire complètement cirque
2020 Pour mes fils, mon silence est impossible
2021 Curieuse rentrée 2021
2022 Mélodies perdues - Une incursion des Ballets Jazz Montréal dans l’univers poétique de Patrick Watson
2023 Drags - Reines de la pop
2023 The Last Closet: Aging Gay
2024 Plamondon: des mots qui résonnent
Script:
2013 Filiatrault
2014 Training session
2016 Pas d'excuses, pas de limites
2017 Le retour du vinyle
2019 Une histoire complètement cirque
2020 Pour mes fils, mon silence est impossible
2021 Curieuse rentrée 2021
2022 Mélodies perdues - Une incursion des Ballets Jazz Montréal dans l’univers poétique de Patrick Watson
2023 Drags - Reines de la pop
2023 The Last Closet: Aging Gay
2024 Plamondon: des mots qui résonnent
Writer:
2013 Filiatrault
2014 Training session
2016 Pas d'excuses, pas de limites
2017 Le retour du vinyle
2019 Une histoire complètement cirque
2020 Pour mes fils, mon silence est impossible
2021 Curieuse rentrée 2021
2022 Mélodies perdues - Une incursion des Ballets Jazz Montréal dans l’univers poétique de Patrick Watson
2023 Drags - Reines de la pop
2023 The Last Closet: Aging Gay
2024 Plamondon: des mots qui résonnent
Creator:
2024 Face à La Danse
Director:
2022 La fièvre du ballroom
2024 Face à La Danse
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.