A work in constant progress (and occasional regress).
Compositor:
???? We’re Still Here
Continuity:
2019 A Home Fan Match
???? We’re Still Here
Editor:
2019 A Home Fan Match
2019 Blood and Waltz
???? We’re Still Here
Music:
2019 A Home Fan Match
2019 Blood and Waltz
2022 Yuta
2023 Ground
2024 The Reclusive Waiting Before The Hills
???? We’re Still Here
Music Arranger:
2019 A Home Fan Match
2019 Blood and Waltz
2022 Better Him Than Me
2022 Yuta
2023 Ground
2024 The Reclusive Waiting Before The Hills
???? We’re Still Here
Original Music Composer:
2019 A Home Fan Match
2019 Blood and Waltz
2022 Better Him Than Me
2022 Yuta
2023 Ground
2024 The Reclusive Waiting Before The Hills
???? We’re Still Here
???? ZONA
Producer:
2019 A Home Fan Match
2019 Blood and Waltz
2021 Pai Nosso
2022 Better Him Than Me
2022 Yuta
2023 Ground
2024 The Reclusive Waiting Before The Hills
???? We’re Still Here
???? ZONA
Production Design:
2019 A Home Fan Match
2019 Blood and Waltz
2020 Autenticamente Falando
2021 Pai Nosso
2022 Better Him Than Me
2022 Yuta
2023 Ground
2024 The Reclusive Waiting Before The Hills
???? We’re Still Here
???? ZONA
Sound Designer:
2019 A Home Fan Match
2019 Blood and Waltz
2020 Autenticamente Falando
2021 Pai Nosso
2022 Better Him Than Me
2022 Yuta
2023 Ground
2024 Ervas Daninhas
2024 The Reclusive Waiting Before The Hills
2024 Would Cross the Whole City in a Bicycle Just to See You Dance
2024 You Don't Have To Apologize
2025 Barbed Wire
???? Que Luz
???? We’re Still Here
???? Where's South?
???? ZONA
Sound Editor:
2019 A Home Fan Match
2019 Blood and Waltz
2020 Autenticamente Falando
2021 Pai Nosso
2022 Better Him Than Me
2022 Yuta
2023 Ground
2024 Ervas Daninhas
2024 KM 100
2024 The Reclusive Waiting Before The Hills
2024 Would Cross the Whole City in a Bicycle Just to See You Dance
2024 You Don't Have To Apologize
2025 Barbed Wire
???? After the End
???? Que Luz
???? We’re Still Here
???? Where's South?
???? ZONA
Sound Mixer:
2019 A Home Fan Match
2019 Blood and Waltz
2020 Autenticamente Falando
2021 Pai Nosso
2022 Better Him Than Me
2022 Yuta
2023 Ground
2024 Ervas Daninhas
2024 KM 100
2024 The Reclusive Waiting Before The Hills
2024 Would Cross the Whole City in a Bicycle Just to See You Dance
2024 You Don't Have To Apologize
2025 Barbed Wire
???? After the End
???? Killing A Vice
???? Que Luz
???? We’re Still Here
???? Where's South?
???? ZONA
Sound Post Production Coordinator:
2019 A Home Fan Match
2019 Blood and Waltz
2020 Autenticamente Falando
2021 Pai Nosso
2022 Better Him Than Me
2022 Yuta
2023 Ground
2024 Ervas Daninhas
2024 KM 100
2024 The Reclusive Waiting Before The Hills
2024 Would Cross the Whole City in a Bicycle Just to See You Dance
2024 You Don't Have To Apologize
2025 Barbed Wire
???? After the End
???? Killing A Vice
???? Mantiqueira
???? Que Luz
???? We’re Still Here
???? Where's South?
???? ZONA
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.