A work in constant progress (and occasional regress).
Birthplace:
Mérignac, Gironde, France
Born:
November 4, 1963
Nicolas Canteloup (born in Mérignac, Gironde on 4 November 1963) is a French impressionist. In 1995, he appeared as impressionist in the TV show Les Guignols de l'info, on Canal +. In 2005, he first participated in the show Vivement dimanche prochain, hosted by Michel Drucker, broadcast every Sunday afternoon on France 2. Since September 2007, he participates only twice a month, alternating with humorist Anne Roumanoff. On 5 April 2008, France 2 devoted to Canteloup a prime-time entitled Canteloup, y es-tu? (reissued on 28 December 2008 at 1:25 pm). In 2005, he started a radio career hosting Revue de presque on Europe 1. He was the subject of a documentary, broadcast on France 2 on 26 February 2009 in the weekly show Envoyé spécial. In 2005, he went on stage at the Olympia, at the Palais des Glaces and began a tour throughout France. In 2008, he toured for his show entitled "2ème couche". Source: Article "Nicolas Canteloup" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Author:
2008 Nicolas Canteloup - Deuxième Couche
Director:
2008 Nicolas Canteloup - Deuxième Couche
2011 Nicolas Canteloup n'arrête jamais
Scenario Writer:
2005 Nicolas Canteloup - Au Palais des Glaces
2008 Nicolas Canteloup - Deuxième Couche
2011 Nicolas Canteloup n'arrête jamais
Creator:
2011 C'est Canteloup
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.