A work in constant progress (and occasional regress).
Birthplace:
Bucarest, Romania
Born:
June 22, 1966
Additional Camera:
2017 Tarzan's testicles
Camera Operator:
2017 Tarzan's testicles
2020 Journey Around the Home in 60 Days
Cinematography:
2003 Exam
2004 The Pharaoh
2009 Apocalypse on Wheels
2010 Caviar
2014 Trading Germans
2017 Tarzan's testicles
2020 Journey Around the Home in 60 Days
Co-Producer:
2003 Exam
2004 The Pharaoh
2009 Apocalypse on Wheels
2009 My Beautiful Dacia
2010 Caviar
2014 Trading Germans
2017 Tarzan's testicles
2020 Journey Around the Home in 60 Days
2022 Whose Dog Am I?
Director:
1991 The Chameleon
1993 2 x 5
1993 Shriek into the Eardrum
2003 Exam
2004 The Great Communist Bank Robbery
2004 The Pharaoh
2007 Cold Waves
2009 Apocalypse on Wheels
2009 My Beautiful Dacia
2010 Caviar
2010 Kapitalism: Our Improved Formula
2014 Trading Germans
2017 Tarzan's testicles
2020 Journey Around the Home in 60 Days
2022 Whose Dog Am I?
2023 Arsenie. An Amazing Afterlife
2024 Cameras Do Not Record Such Things
???? Omul cu o mie de ochi
Director of Photography:
1991 The Chameleon
1993 2 x 5
1993 Look Ahead with Anger
1993 Shriek into the Eardrum
2003 Exam
2004 The Great Communist Bank Robbery
2004 The Pharaoh
2007 Cold Waves
2009 Apocalypse on Wheels
2009 My Beautiful Dacia
2010 Caviar
2010 Kapitalism: Our Improved Formula
2014 Trading Germans
2017 Tarzan's testicles
2020 Journey Around the Home in 60 Days
2022 Lebensdorf
2022 Man and Dog
2022 Whose Dog Am I?
2023 Arsenie. An Amazing Afterlife
2024 Cameras Do Not Record Such Things
???? Omul cu o mie de ochi
Producer:
1991 The Chameleon
1993 2 x 5
1993 Look Ahead with Anger
1993 Shriek into the Eardrum
2003 Exam
2004 The Great Communist Bank Robbery
2004 The Pharaoh
2007 Cold Waves
2009 Apocalypse on Wheels
2009 My Beautiful Dacia
2010 Caviar
2010 Kapitalism: Our Improved Formula
2014 Trading Germans
2017 Tarzan's testicles
2020 Journey Around the Home in 60 Days
2022 Lebensdorf
2022 Man and Dog
2022 Whose Dog Am I?
2023 Arsenie. An Amazing Afterlife
2024 Cameras Do Not Record Such Things
???? Omul cu o mie de ochi
Screenplay:
1991 The Chameleon
1993 2 x 5
1993 Look Ahead with Anger
1993 Shriek into the Eardrum
2003 Exam
2004 The Great Communist Bank Robbery
2004 The Pharaoh
2007 Cold Waves
2009 Apocalypse on Wheels
2009 My Beautiful Dacia
2010 Caviar
2010 Kapitalism: Our Improved Formula
2014 Trading Germans
2017 Tarzan's testicles
2020 Journey Around the Home in 60 Days
2022 Lebensdorf
2022 Man and Dog
2022 Whose Dog Am I?
2023 Arsenie. An Amazing Afterlife
2024 Cameras Do Not Record Such Things
???? Omul cu o mie de ochi
Writer:
1991 The Chameleon
1993 2 x 5
1993 Look Ahead with Anger
1993 Shriek into the Eardrum
2003 Exam
2004 The Great Communist Bank Robbery
2004 The Pharaoh
2007 Cold Waves
2009 Apocalypse on Wheels
2009 My Beautiful Dacia
2010 Caviar
2010 Kapitalism: Our Improved Formula
2014 Trading Germans
2017 Tarzan's testicles
2020 Journey Around the Home in 60 Days
2022 Lebensdorf
2022 Man and Dog
2022 Whose Dog Am I?
2023 Arsenie. An Amazing Afterlife
2024 Cameras Do Not Record Such Things
???? Omul cu o mie de ochi
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.