A work in constant progress (and occasional regress).
Birthplace:
New York City, New York, USA
Born:
September 25, 1928
Harold Becker (born September 25, 1928) is American film and television director, producer, and photographer, associated with the New Hollywood movement and best known for his work in the thriller genre. He studied art and photography at the prestigious Pratt Institute and began his career as a designer and stills photographer. He segued to directing TV commercials and short films, including the award-winning Ivanhoe Donaldson. His directorial debut conducting a feature film was with the drama The Ragman's Daughter (1972). His second feature was the acclaimed The Onion Field (1979), a dark cop thriller starring John Savage and James Woods, a remarkable role that brought him recognition from the public and several award nominations as Best Supporting Actor in the role of a dangerous and menacing cop killer. In the 1980's, Becker is a solid director who can work many different genres: the comedy The Black Marble (1980); the military drama Taps (1981) where he directed youngsters Timothy Hutton, Sean Penn and Tom Cruise alongside veteran George C. Scott; the sports-themed film Vision Quest (1985); two musical videos for Madonna; the heavy drug drama The Boost (1988) again collaborating with Woods; and the neo-noir Sea of Love (1989) where he resurrected the career of Al Pacino. The box-office suspense Malice (1993), the political thriller City Hall (1996) and the action Mercury Rising (1998) compose Becker's career in the 1990's directing big Hollywood stars and establishing him as one of the most versatile directors of the period. After the thriller Domestic Disturbance (2001) Becker never returned to film directing, possibly retired after not having many invitations to directed another feature.
Co-Executive Producer:
1988 The Boost
Director:
1964 Blind Gary Davis
1967 Sighet, Sighet
1972 The Ragman's Daughter
1979 The Onion Field
1980 The Black Marble
1981 Taps
1985 Vision Quest
1988 The Boost
1989 Sea of Love
1993 Malice
1996 City Hall
1998 Mercury Rising
2001 Domestic Disturbance
Executive Producer:
1964 Blind Gary Davis
1967 Sighet, Sighet
1972 The Ragman's Daughter
1979 The Onion Field
1980 The Black Marble
1981 Taps
1985 Vision Quest
1988 The Boost
1989 Sea of Love
1993 Malice
1996 City Hall
1998 Mercury Rising
2001 Domestic Disturbance
2017 Vengeance: A Love Story
Producer:
1964 An Interview with Bruce Gordon
1964 Blind Gary Davis
1967 Sighet, Sighet
1972 The Ragman's Daughter
1979 The Onion Field
1980 The Black Marble
1981 Taps
1985 Vision Quest
1988 The Boost
1989 Sea of Love
1993 Malice
1996 City Hall
1998 Mercury Rising
2001 Domestic Disturbance
2017 Vengeance: A Love Story
Creator:
2007 Masters of Science Fiction
Director:
2007 Masters of Science Fiction
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.