A work in constant progress (and occasional regress).
Assistant Production Design:
1959 Inspekcja pana Anatola
1959 Pan Anatol szuka miliona
Assistant Production Manager:
1959 Inspekcja pana Anatola
1959 Pan Anatol szuka miliona
1960 Place on Earth
1961 Birth Certificate
1961 Marysia i Krasnoludki
1962 The Two Who Stole the Moon
1962 The Voice from Beyond
1963 "Yokmok"
1963 Skąpani w ogniu
1965 Córeczka
1965 Drewniany różaniec
1965 Wózek
1966 Bigos
1966 Buty
1966 Maria and Napoleon
1966 Nazajutrz po wojnie
1967 Zabijaka
1968 Fatalista
1968 Poczmistrz
1968 The Vampire
1969 Colonel Wolodyjowski
1970 Tamań
1970 There Is No Return, Johnny
1981 Na melinę
Executive Producer:
1959 Inspekcja pana Anatola
1959 Pan Anatol szuka miliona
1960 Place on Earth
1961 Birth Certificate
1961 Marysia i Krasnoludki
1962 The Two Who Stole the Moon
1962 The Voice from Beyond
1963 "Yokmok"
1963 Skąpani w ogniu
1965 Córeczka
1965 Drewniany różaniec
1965 Wózek
1966 Bigos
1966 Buty
1966 Maria and Napoleon
1966 Nazajutrz po wojnie
1967 Zabijaka
1968 Fatalista
1968 Poczmistrz
1968 The Vampire
1969 Colonel Wolodyjowski
1970 Tamań
1970 There Is No Return, Johnny
1981 Na melinę
1984 Errata, czyli sceny pokutne w nowych osiedlach
Production Assistant:
1959 Inspekcja pana Anatola
1959 Ostatni strzał
1959 Pan Anatol szuka miliona
1960 Place on Earth
1961 Birth Certificate
1961 Marysia i Krasnoludki
1962 The Two Who Stole the Moon
1962 The Voice from Beyond
1963 "Yokmok"
1963 Skąpani w ogniu
1965 Córeczka
1965 Drewniany różaniec
1965 Wózek
1966 Bigos
1966 Buty
1966 Maria and Napoleon
1966 Nazajutrz po wojnie
1967 Zabijaka
1968 Fatalista
1968 Poczmistrz
1968 The Vampire
1969 Colonel Wolodyjowski
1970 Tamań
1970 There Is No Return, Johnny
1981 Na melinę
1984 Errata, czyli sceny pokutne w nowych osiedlach
Production Manager:
1959 Inspekcja pana Anatola
1959 Ostatni strzał
1959 Pan Anatol szuka miliona
1960 Place on Earth
1961 Birth Certificate
1961 Marysia i Krasnoludki
1962 The Two Who Stole the Moon
1962 The Voice from Beyond
1963 "Yokmok"
1963 Skąpani w ogniu
1965 Córeczka
1965 Drewniany różaniec
1965 Wózek
1966 Bigos
1966 Buty
1966 Maria and Napoleon
1966 Nazajutrz po wojnie
1967 Zabijaka
1968 Fatalista
1968 Poczmistrz
1968 The Vampire
1969 Colonel Wolodyjowski
1970 Tamań
1970 There Is No Return, Johnny
1971 Leprosy
1971 Who Believes in Storks?
1973 Z tamtej strony tęczy
1981 Na melinę
1983 Na odsiecz Wiedniowi
1984 Errata, czyli sceny pokutne w nowych osiedlach
Production Supervisor:
1959 Inspekcja pana Anatola
1959 Ostatni strzał
1959 Pan Anatol szuka miliona
1960 Place on Earth
1961 Birth Certificate
1961 Marysia i Krasnoludki
1962 The Two Who Stole the Moon
1962 The Voice from Beyond
1963 "Yokmok"
1963 Skąpani w ogniu
1965 Córeczka
1965 Drewniany różaniec
1965 Wózek
1966 Bigos
1966 Buty
1966 Maria and Napoleon
1966 Nazajutrz po wojnie
1967 Zabijaka
1968 Fatalista
1968 Poczmistrz
1968 The Vampire
1969 Colonel Wolodyjowski
1970 Tamań
1970 There Is No Return, Johnny
1971 Leprosy
1971 Who Believes in Storks?
1973 Z tamtej strony tęczy
1974 Sobie król
1976 Dulscy
1981 Na melinę
1983 Na odsiecz Wiedniowi
1984 Errata, czyli sceny pokutne w nowych osiedlach
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.