A work in constant progress (and occasional regress).
Alias:
Aubrey Lam Oi-Wa
Oi Wah Lam
林爱华
Born in Hong Kong, Aubrey Lam Oi-wah graduated from the University of Hong Kong, then studied film at Los Angeles. After attending directing classes of the Hong Kong Film Directors’ Guild, she joined UFO in 1995 as scriptwriter. Since then, she had established herself as one of Hong Kong’s noted women writers, with scripts for Yesterday You, Yesterday Me (1997, Love Trilogy (2004) and Wu Xia (2011). She also co-authored the scripts for Who’s the Woman, Who’s the Man (1996), Purple Storm (1999), Golden Chicken 2 (2003), Perhaps Love (2005) and The Warlords (2007), the latter two films nominated for Best Screenplay by the Hong Kong Film Awards Lam began directing with Twelve Nights (2000), a meditative look at romance which she also wrote. Lam switched focus with her sophomore project, directing and writing the quirky comedy Hidden Track (2003). In 2002, she obtained a Master’s degree at�the University of Hong Kong.
Director:
2000 Twelve Nights
2003 Hidden Track
2007 Anna & Anna
2008 A Decade of Love
2014 The Truth About Beauty
2015 Love Without Distance
2023 Twelve Days
Screenplay:
2000 Twelve Nights
2003 Hidden Track
2007 Anna & Anna
2007 The Warlords
2008 A Decade of Love
2014 The Truth About Beauty
2015 Love Without Distance
2023 Twelve Days
Writer:
1995 Heaven Can't Wait
1996 The Age of Miracles
1996 Who's the Woman, Who's the Man?
2000 Twelve Nights
2003 Golden Chicken 2
2003 Hidden Track
2004 Love Trilogy
2005 Perhaps Love
2006 Men Suddenly in Black 2
2007 Anna & Anna
2007 The Warlords
2008 A Decade of Love
2011 Dragon
2012 The Guillotines
2013 American Dreams in China
2014 The Truth About Beauty
2015 Love Without Distance
2023 Twelve Days
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.