A work in constant progress (and occasional regress).
Alias:
Kay Tse On-Kei
On-kei Tse
Tse On-Kay
Birthplace:
Hong Kong, British Crown Colony [now China]
Born:
March 13, 1977
Kay Tse On-kei (Chinese: 謝安琪; born 13 March 1977) is a Hong Kong Cantopop songwriter, recording-artist, entertainer, and one of the premier Cantonese singers. Raised In Hong Kong. Tse made her debut to the music industry and was signed with Ban Ban Music in 2005 and released her debut album. She became a prominent figure in the Cantopop culture. She is known for her versatile vocal range and expertise in various music genres, especially in jazz. She first achieved mainstream success in 2008 with the song "Wedding Invitation Street", topping in the four major charts of Hong Kong. Due to the hugely successful and the critically acclaimed album Binary, Tse won many awards in January 2009 including "Media Award – Album" for Binary and "Media Award – Performer", which are considered to be the most prestigious awards in Hong Kong music industry. In early 2009, she released her sixth studio album, Yelling and features the hit single "Song of The Year". Tse embarked on her first headlining tour, Yelling LIVE 2009 and the album subsequently became the ninth best selling album of 2009. In November 2010, she released her debut Mandarin album, My Second Home that features the number one single "Weakness". Media praised her as "Grass-Root Queen", increasing her influence in the Hong Kong music industry. Along with Joey Yung, Miriam Yeung, Denise Ho, Tse is currently considered as the four premier female Cantopop performers. She married Hong Kong recording-artistLouis Cheung on January 20, 2007 and gave birth to her son in June 16, 2007.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.