A work in constant progress (and occasional regress).
Birthplace:
Dhaka, Bangladesh
Rahat Rahman is a filmmaker from Bangladesh, currently living in Canada. in 2016 he was selected as a director fellow in the prestigious Asian Film Academy 2016 held in Busan, South Korea and as part of the program, in a group collaboration with three other directors made the short film "hello uncle!" in 2018, he wrote and directed the segment "Jibon's Gun" in the First Bangladeshi Anthology Film "Sincerely Yours, Dhaka" which had its world premiere at Busan International Film Festival in the same year and has since been screened and awarded at various film festivals all over the world. The film was chosen as Bangladesh's official submission for the best foreign language film award at The Oscars 2021. He is currently pursuing a Film Production diploma at Confederation College in Thunder Bay, Canada.
Director:
2015 Monkey Bizness
2017 The Phaneron
2018 Paangkha
2019 Sincerely Yours, Dhaka
2022 Madness of Madeline
2022 Strict Shift
Editor:
2015 Monkey Bizness
2017 The Phaneron
2018 Paangkha
2019 Sincerely Yours, Dhaka
2022 Madness of Madeline
2022 Strict Shift
Producer:
2015 Monkey Bizness
2017 The Phaneron
2018 Paangkha
2019 Sincerely Yours, Dhaka
2022 Madness of Madeline
2022 Strict Shift
Screenplay:
2015 Monkey Bizness
2017 The Phaneron
2018 Paangkha
2019 Sincerely Yours, Dhaka
2022 Madness of Madeline
2022 Strict Shift
Story:
2015 Monkey Bizness
2017 The Phaneron
2018 Paangkha
2019 Sincerely Yours, Dhaka
2022 Madness of Madeline
2022 Strict Shift
Writer:
2015 Monkey Bizness
2017 The Phaneron
2018 Paangkha
2019 Sincerely Yours, Dhaka
2022 Madness of Madeline
2022 Strict Shift
Creator:
2016 Cinemaal
2018 Team Possible
Director:
2016 Cinemaal
2018 Team Possible
Writer:
2016 Cinemaal
2018 Team Possible
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.