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Susie Singer Carter

Birthplace:
Los Angeles, California, United States

Biography from TheMovieDB

Susie Singer Carter is a multi-award-winning writer, director, producer, actor, and Alzheimer’s/caregiver advocate. She wrote, directed, and produced the 2018 Oscar-qualified short, My Mom and the Girl, starring Valerie Harper, using her personal experience to shed a heartfelt, uplifting light on caring for a loved one with Alzheimer’s. She also wrote and produced “Bratz: The Movie” (Lionsgate) and co-produced “Soul Surfer” (Sony). Her acclaimed podcasts include “Love Conquers Alz”—named 2020 Best Podcast by New Media Film Festival and 2024 Best Dementia Podcast by Goodpods—and the horror/comedy, “I Love Lucifer”, nominated for Best Audio Fiction by the Indie Series Awards. Her latest screenplay, “RUN”, is in pre-production with Phiphen Pictures. Most recently, Susie wrote, directed, and produced “No Country for Old People, a Nursing Home Exposé”. After her mother suffered and died from neglect and abuse in a 5-star facility, she felt morally compelled to expose a broken system through a cautionary tale meant to spark reform. The film received the 2024 Gold Anthem Award for Awareness. A passionate advocate, Susie emceed the San Fernando Valley Walk to End Alzheimer’s and proudly carried a purple flower for her late mother. She also hosts the WGAW’s 3rd & Fairfax Podcast.

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Additional information:

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Film Performances

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Film Production

Director:
2025  No Country For Old People; a Nursing Home Exposé

Producer:
2025  No Country For Old People; a Nursing Home Exposé

Writer:
2016  Twinkle Toes Lights Up New York
2025  No Country For Old People; a Nursing Home Exposé

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TV Performances

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TV Production

Editor:
2025  No Country for Old People

Producer:
2025  No Country for Old People

Writer:
1999  The Brothers Flub
2025  No Country for Old People

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.