A work in constant progress (and occasional regress).
Alias:
Grigori Tchoukhrai
Григорий Чухрай
Birthplace:
Melitopol, Ukraine, USSR
Born:
May 23, 1921
Died:
October 28, 2001
Grigoriy Chukhray was a Ukrainian filmmaker, who gained fame outside the Soviet Union for his films The Forty-First, shown at the 1957 Cannes Film Festival, and especially Ballad of a Soldier, which won a special jury prize at the 1960 Cannes Film Festival and prizes for Best Picture and Best Director at the 1960 San Francisco International Film Festival.
Director:
1956 The Forty-First
1959 Ballad of a Soldier
1961 Clear Skies
1965 There Was an Old Couple
1970 Memory
1978 The Mire
1979 Life Is Beautiful
1985 I'll Teach You to Dream
1992 Mortal Enemies: From Death and Survival in Stalingrad
Original Story:
1956 The Forty-First
1959 Ballad of a Soldier
1961 Clear Skies
1965 There Was an Old Couple
1970 Memory
1978 The Mire
1979 Life Is Beautiful
1985 I'll Teach You to Dream
1992 Mortal Enemies: From Death and Survival in Stalingrad
Producer:
1956 The Forty-First
1959 Ballad of a Soldier
1961 Clear Skies
1965 There Was an Old Couple
1970 Memory
1978 The Mire
1979 Life Is Beautiful
1985 I'll Teach You to Dream
1992 Mortal Enemies: From Death and Survival in Stalingrad
Screenplay:
1956 The Forty-First
1959 Ballad of a Soldier
1961 Clear Skies
1965 There Was an Old Couple
1970 Memory
1978 The Mire
1979 Life Is Beautiful
1985 I'll Teach You to Dream
1992 Mortal Enemies: From Death and Survival in Stalingrad
Writer:
1956 The Forty-First
1959 Ballad of a Soldier
1961 Clear Skies
1965 There Was an Old Couple
1970 Memory
1978 The Mire
1979 Life Is Beautiful
1985 I'll Teach You to Dream
1992 Mortal Enemies: From Death and Survival in Stalingrad
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.