A work in constant progress (and occasional regress).
Alias:
Ральф Кирстен
Birthplace:
Leipzig, Germany
Born:
May 30, 1930
Died:
January 23, 1998
Ralf Kirsten (30 May 1930 – 23 January 1998) was a German film director and screenwriter. He directed 22 films between 1955 and 1986. His 1984 film Where Others Keep Silent was entered into the 14th Moscow International Film Festival. After doing an apprenticeship as an electrician, Kirsten went to university to study German literature and theatre, first at Humboldt University of Berlin, and later the Theater Institute in Weimar. He then went on to study film direction at the Film and TV School of the Academy of Performing Arts in Prague (FAMU) alongside fellow East German Frank Beyer. He graduated in 1956, and began working in television. In 1960, Kirsten joined DEFA, the state-owned film studio of the German Democratic Republic (GDR), where he had previously produced both his FAMU diploma film, Bärenburger Schnurre (English: Bärenburger Farce), and his first feature film, Skimeister von morgen (English: Ski Champions of the Future). His first film for DEFA was Steinzeitballade (English: Stone Age Ballad), an experimental film about rubble women in post-war Berlin, which was well received by critics. In 1961 Kirsten found popular success with Auf der Sonnenseite (English: On the Sunny Side), a comedy about a factory worker who dreams of becoming a star, featuring Manfred Krug in the lead role. Kirsten and Krug would go on to collaborate on several other films. In 1966, Kirsten directed a film adaptation of Der verlorene Engel, a Franz Fuhmann novel about sculptor Ernst Barlach. The film was initially banned, and was only shown in public for the first time in 1970, with a general release the following year. Kirsten made several films about historical figures, including 1984's Where Others Keep Silent, about the early 20th century German communist leader Clara Zetkin. When DEFA closed following the reunification of Germany, Kirsten taught at the Konrad Wolf Film University of Babelsberg. He died in Berlin on 23 January 1998.
Assistant Director:
1960 Meetings In The Dark
Director:
1955 Fools Among Us
1957 Bahrenburg Stories
1957 Skimeister von Morgen
1960 Meetings In The Dark
1961 Steinzeitballade
1962 Auf der Sonnenseite
1963 Chronicle of a Summer
1964 Mir nach, Canaillen
1967 Frau Venus und ihr Teufel
1970 Netzwerk
1970 Zwei Briefe an Pospischiel
1971 The Lost Angel
1973 The Devil's Elixirs
1973 Unterm Birnbaum
1975 Eine Pyramide für mich
1978 Ich zwing dich zu leben
1979 Lachtauben weinen nicht
1984 Wo andere schweigen
1987 Käthe Kollwitz – Pictures of a Life
Screenplay:
1955 Fools Among Us
1957 Bahrenburg Stories
1957 Skimeister von Morgen
1960 Meetings In The Dark
1961 Steinzeitballade
1962 Auf der Sonnenseite
1963 Chronicle of a Summer
1964 Mir nach, Canaillen
1967 Frau Venus und ihr Teufel
1970 Netzwerk
1970 Zwei Briefe an Pospischiel
1971 The Lost Angel
1973 The Devil's Elixirs
1973 Unterm Birnbaum
1975 Eine Pyramide für mich
1978 Ich zwing dich zu leben
1979 Lachtauben weinen nicht
1984 Wo andere schweigen
1987 Käthe Kollwitz – Pictures of a Life
Writer:
1955 Fools Among Us
1957 Bahrenburg Stories
1957 Skimeister von Morgen
1960 Meetings In The Dark
1961 Steinzeitballade
1962 Auf der Sonnenseite
1963 Chronicle of a Summer
1964 Mir nach, Canaillen
1967 Frau Venus und ihr Teufel
1970 Netzwerk
1970 Zwei Briefe an Pospischiel
1971 The Lost Angel
1973 The Devil's Elixirs
1973 Unterm Birnbaum
1975 Eine Pyramide für mich
1978 Ich zwing dich zu leben
1979 Lachtauben weinen nicht
1984 Wo andere schweigen
1987 Käthe Kollwitz – Pictures of a Life
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.