A work in constant progress (and occasional regress).
Edward Smyth is a British filmmaker, curious to explore the most beautiful and peculiar things in life. Recently, he was commissioned by the BBC and the Institute of Contemporary Arts [ICA], to create ‘Wave 3 (Cancelled?)’, which premiered at the BFI Southbank in 2022. His films have screened at major London venues, including BFI Southbank, Barbican Centre, Whitechapel Gallery, ICA & Curzon Soho; with six selected for the BAFTA-recognised London Short Film Festival. Into 2024, he’s developing several projects for TV & Film, ranging from satirical comedies, romantic fiction, to experimental drama; including his first features. Alumnus of BFI NETWORK x BAFTA Crew.
Director:
2018 Temp Girl
2020 Mahon Chorizo Avocado
2021 Deformed Pigeon Feet
2022 Puffin & Holly
2022 Wave 3 (Cancelled?)
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.