A work in constant progress (and occasional regress).
Alias:
Галина Евтушенко
Birthplace:
Voronezh, USSR (Russia)
Born:
February 7, 1956
Galina Mikhailovna Evtushenko (Russian: Галина Михайловна Евтушенко; 7 February 1956; Voronezh) is a Russian documentary director, screenwriter, producer. Galina Evtushenko was born in Voronezh . She was educated in Voronezh University in philology and then finished post-graduate course with Master Degree in the All–Russian State Institute of Cinematography (VGIC).She is a director and producer, documentary and feature filmmaker. She was a winner of prestisious national awards, she was a participant of International Film Festivals in Greece, Germany, Ukraine, Poland, Hungary, Sweden, India, USA, Canada, Brasil and the participant of International forums and workshops in Munich, Ebeltoft , New York and in Israel , a member of Jury of International Film Festivals in many countries. Galina is a member of Russian Filmmaker’s Union, member of International Association for Cinema Educators. Lives in Moscow.She is a winner and nominate of different national film awards “Nika”, “Golden Eagle”. Honored Artist of Russia. Moscow Government Laureate in the field of literature and art .
Director:
1997 The Chiefs
2003 Woe to Wit or Eisenstein and Meyerhold: a Two-fold Portrait in the Interior of the Epoch
2005 The Attic Story
2011 Mikhail Ulyanov: About Time and Himself
2014 Leo Tolstoy and Ilya Ginzburg: A Double Portrait Against the Background of the Epoch
2015 Leo Tolstoy and Dziga Vertov: A Double Portrait in the Interior of the Epoch
2018 Russian Village in the German Side. Alexandrovka
2018 Unknown 1917
2019 Chekhov and Levitan
2021 Fedor Chalyapin. Exile
2022 Mahatma Haffkine
2022 Thank You, Army Photographer!
2023 The Simonovs and the Troshkins: A Double Portrait in the Interior of an Era
2024 Strength of the Weak
Producer:
1997 The Chiefs
2003 Woe to Wit or Eisenstein and Meyerhold: a Two-fold Portrait in the Interior of the Epoch
2005 The Attic Story
2011 Mikhail Ulyanov: About Time and Himself
2014 Leo Tolstoy and Ilya Ginzburg: A Double Portrait Against the Background of the Epoch
2015 Leo Tolstoy and Dziga Vertov: A Double Portrait in the Interior of the Epoch
2018 Russian Village in the German Side. Alexandrovka
2018 Unknown 1917
2019 Chekhov and Levitan
2021 Fedor Chalyapin. Exile
2022 Mahatma Haffkine
2022 Thank You, Army Photographer!
2023 The Simonovs and the Troshkins: A Double Portrait in the Interior of an Era
2024 Strength of the Weak
Screenplay:
1997 The Chiefs
2003 Woe to Wit or Eisenstein and Meyerhold: a Two-fold Portrait in the Interior of the Epoch
2005 The Attic Story
2011 Mikhail Ulyanov: About Time and Himself
2014 Leo Tolstoy and Ilya Ginzburg: A Double Portrait Against the Background of the Epoch
2015 Leo Tolstoy and Dziga Vertov: A Double Portrait in the Interior of the Epoch
2018 Russian Village in the German Side. Alexandrovka
2018 Unknown 1917
2019 Chekhov and Levitan
2021 Fedor Chalyapin. Exile
2022 Mahatma Haffkine
2022 Thank You, Army Photographer!
2023 The Simonovs and the Troshkins: A Double Portrait in the Interior of an Era
2024 Strength of the Weak
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.