A work in constant progress (and occasional regress).
Alias:
Elis Pietro Donda
Birthplace:
Aquileia, Italy
Born:
February 2, 1947
Died:
November 26, 2023
A very polemic student of Roberto Rossellini and a fan of Jean-Marie Straub's films, a fine experimenter, a lover of poetry, Ellis Donda worked - throughout the 70s and 80s - within a network of film critics, filmmakers, actors, avant-garde poets, public television producers and publishers. During his stay in Paris in the 70s, he spent time with Jacques Lacan and recorded the last interview with Roland Barthes. Long forgotten, his work is now subject to a new rediscovery by Italian curators and journalists.
Coordinating Producer:
1976 Come cinema
Director:
1975 Engel und Puppe
1976 Come cinema
1981 Paris '50 - Existence imagined
1982 The Stolen Body
1986 Other Epiphanies
2007 Cinema Exercises
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.