A work in constant progress (and occasional regress).
Alias:
Bananarama
Sarah Dallin
Birthplace:
Bristol, England, UK
Born:
December 17, 1961
Sara Elizabeth Dallin (born 17 December 1961) is an English singer/songwriter and a founding member of the pop group Bananarama. The group has achieved 28 UK top-50 and 11 US top-100 singles, including a US number one with "Venus" (1986). Other hits include "Cruel Summer" (1983), "I Heard a Rumour" (1987) and "Love in the First Degree" (1987). Dallin and bandmate Keren Woodward are the only performers to appear on both the 1984 and 1989 Band Aid versions of "Do They Know It's Christmas?". Bananarama have sold over 30 million records and entered the Guinness Book of World Records for achieving most UK chart entries by an all-female group, a record they still hold. Dallin is of English, French and Irish ancestry. She studied journalism at the London College of Fashion (University of Arts) in 1980–81. She formed the group Bananarama with Keren Woodward, her childhood friend, and Siobhan Fahey, whom she met at college. In 1980, Dallin and Woodward met Paul Cook, ex-member of the Sex Pistols, in a club and they became close friends. They sang backing vocals for his and Steve Jones' new band The Professionals, and had their first taste of the music business, recording demos in Denmark Street. When the house they were living in closed for renovation, Paul offered them a place to live in what used to be band impresario Malcolm McLaren's office above the Sex Pistols' old rehearsal room in Denmark Street. The two would come in from clubbing and plug the guitars in and have late-night jams. Dallin first appeared on stage with Woodward and friend Mel O'Brien at the Camden Palace (now Koko) with their friend Vaughn Toulouse's band, Department S. Dallin, Woodward and Fahey first appeared on stage (in what would become Bananarama) with the Monochrome Set (friends of Siobhan) at the Rainbow Theatre supporting Iggy Pop. The trio then started rehearsing with musician friends and recorded their first demo "Aie A Mwana", which they performed at various clubs around London, such as (Colonel Barefoot's Rock Garden, The Embassy and The Wag Club. They came to the attention of Demon Records, signed a one-off singles deal, and "Aie A Mwana" was released. It was played by legendary BBC Radio 1 DJ John Peel, who championed young bands. Terry Hall (ex-Specials) heard the track and bought it, then saw a photo of Bananarama in what was referred to as the 'style bible', a magazine called The Face. He had just formed a group called Fun Boy Three and contacted them to ask if they would sing on some tracks on their new album. The single release "It Ain't What You Do (It's The Way That You Do It)" became a top-five hit, propelling Bananarama into the limelight. ... Source: Article "Sara Dallin" from Wikipedia in English, licensed under CC-BY-SA 3.0.
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.