A work in constant progress (and occasional regress).
Mixing Engineer:
2022 50 Broken Pieces
Sound Designer:
2013 In Praise of the Day
2019 The Girl with the Instagram
2021 Asia
2021 Kinder der Hoffnung
2021 Summer Nights
2022 50 Broken Pieces
2022 People Asleep and the Water as Well
2023 Knock on the Door
???? Maale Akravim
???? Nesher
Sound Editor:
2013 In Praise of the Day
2015 The Mute's House
2019 The Girl with the Instagram
2021 Asia
2021 Kinder der Hoffnung
2021 Summer Nights
2022 50 Broken Pieces
2022 People Asleep and the Water as Well
2023 Knock on the Door
???? Maale Akravim
???? Nesher
Sound Mixer:
2013 In Praise of the Day
2015 The Mute's House
2019 The Girl with the Instagram
2021 Asia
2021 Kinder der Hoffnung
2021 Summer Nights
2022 50 Broken Pieces
2022 People Asleep and the Water as Well
2023 Knock on the Door
???? Maale Akravim
???? Nesher
Supervising Sound Editor:
2013 In Praise of the Day
2015 The Mute's House
2019 The Girl with the Instagram
2021 Asia
2021 Cinema Sabaya
2021 Kinder der Hoffnung
2021 Summer Nights
2022 50 Broken Pieces
2022 People Asleep and the Water as Well
2023 Knock on the Door
???? Maale Akravim
???? Nesher
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.