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Ismaël Khelifa (b. 1979)

Birthplace:
Annecy, Haute-Savoie, France

Born:
January 1, 1979

Biography from TheMovieDB

Ismaël Khelifa, born in Annecy, is a French journalist and television host.  Ismaël Khelifa studied journalism at the IUT of Tours then worked at Radio France and France Inter in the fields of politics and economics. In 2003 he discovered Iceland, became passionate about the polar regions and became a naturalist guide. He notably co-wrote stories with the adventurer Nicolas Dubreuil. In 2012, Ismaël turned to television and joined the team of the show Rendez-vous en terre unknown on France 2 and then Our unknown lands for which he did location scouting. From 2017 to 2018, he wrote the tourism section of the program La Quotidienne on France 5. Since 2019, following the departure of Raphaël de Casabianca, he has presented Échappées belles on France 5, alternating with Sophie Jovillard, Jérôme Pitorin and Tiga.  With his wife Alice Khelifa-Gastine (Ushuaïa TV), he created the association For my Planet. He is one of the ambassadors of the association Un enfant par la main and author of books for young people.

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Film Production

Director:
2017  The Age of Man

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TV Performances

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TV Production

Presenter:
2006  Echappées Belles

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About the Movie Section

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Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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