Home

Aida Alonso Arechar

Birthplace:
Aguascalientes, Aguascalientes, Mexico

Biography from TheMovieDB

Aída Alonso Aréchar, was born in 1994 in Aguascalientes, Mexico. From 2013 to 2018 studying Cinematographic and Audiovisual Arts of the University Autonomous of Aguascalientes. In the process she participates in short films as director and screenwriter, including “Benito”, a thesis short film, which was selected in the Monterrey International Film Festival and the International Film Festival of Hidalgo, among others. In 2017, he exchanges with the Image Department and Sound from the University of Guadalajara, where he collaborated on projects such as producer and assistant director. In 2018 it becomes a member of the Cluster Audiovisual Aguascalientes (CAAMX) and is selected in the call "Hacia un cine colaborativo” with the short film“ The office man”, which he writes and directs. In 2019 she is selected to participate in the International Festival of Audiovisual Production (FIRA) as director and screenwriter of the feature film “Sendero”, which is currently in the post-production process.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Film Production

Assistant Director:
2015  Autumn

Director:
2015  Autumn
2018  Benito
2019  The office man

Screenplay:
2015  Autumn
2016  House Taken Over
2018  Benito
2019  The office man

Sound:
2015  Autumn
2016  House Taken Over
2018  #P0ZME
2018  Benito
2019  The office man

Writer:
2015  Autumn
2016  House Taken Over
2018  #P0ZME
2018  Benito
2019  The office man

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.