A work in constant progress (and occasional regress).
Born in 1990 in the city of Aguascalientes, graduated from the Bachelor of Arts Cinematographic and Audiovisual (2nd Generation, UAA) Specialized in Photography Direction. First Mexican Director of Photography to make a feature film in 360ยบ format in Mexico. Active member of the International Audiovisual Cluster network, with experience in audiovisual, film and political production and commercial.
Assistant Director of Photography:
2018 #P0ZME
Color Grading:
2018 #P0ZME
2022 Fuego Fatuo
Director:
2018 #P0ZME
2020 Goods are to remedy ills
2022 Fuego Fatuo
Director of Photography:
2018 #P0ZME
2019 En La Hora Azul
2019 The Transference
2020 Goods are to remedy ills
2022 Fuego Fatuo
Editor:
2018 #P0ZME
2019 En La Hora Azul
2019 The Transference
2020 Goods are to remedy ills
2022 Fuego Fatuo
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.