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Carlos Miranda

Biography from TheMovieDB

Carlos Miranda is a director, producer and editor. His first film "24 Memories per Second" premiered internationally at MoMA Doc Fortnight, in New York. Recently, he produced and edited the feature documentary "Ary" and directed the short "Marcos" (produced by OPTEC – “Vitalina Varela”). With filmmaking training at both national (Kino-Doc, Lisbon) and international level (NFTS, UK), he also has professional experience in motion and graphic design and an MA in Sociology, with a thesis on cultural diversity in cinema. He is also author in an online publication (Cinemaville) and co-founder of the Offside Lisboa Film Festival.

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Film Production

Cinematography:
2018  24 Memories per Second
2021  Maestro Rui Costa - Benfica's Prodigal Son
2022  Landmarkers
2022  The Lisbon Derby

Director:
2018  24 Memories per Second
2021  Maestro Rui Costa - Benfica's Prodigal Son
2022  Landmarkers
2022  The Lisbon Derby
????  Ricardo Martins: Resonate

Editor:
2018  24 Memories per Second
2021  Maestro Rui Costa - Benfica's Prodigal Son
2022  Ary
2022  Landmarkers
2022  The Lisbon Derby
????  Ricardo Martins: Resonate

Producer:
2018  24 Memories per Second
2021  Maestro Rui Costa - Benfica's Prodigal Son
2022  Ary
2022  Landmarkers
2022  The Lisbon Derby
????  Ricardo Martins: Resonate

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.