A work in constant progress (and occasional regress).
Born:
November 6, 1971
Born and raised in the Red Hook housing projects in Brooklyn, NY, Matty Rich, became highly regarded as the pioneer of Black Filmmakers. Rich made his way onto the Hollywood scene in the early 90's. He gained major recognition as, 19 year-old acclaimed writer/director/producer with his award winning film, "Straight out of Brooklyn". After winning the Sundance Film Festival Award, Samuel Goldwyn Films distributed the movie. The film would go on to sweep the award season winning the prestigious Independent Spirit Award, the NAACP Image Award, The CEBA Award, The Big Apple Award, The Producer's Guild's "Most Promising Film Producer" award and the Nova Award. The movie, which was made for a mere $77,000, and became a worldwide box office success and a favorite that continues to play on television to this day! Matty then landed a three-picture movie deal with Tri Star studios under the helm of studio chief Mike Medavoy. While at Tri Star, Matty developed the First Black Organize Crime family film "Forty Theives" and "Sunset Park" with stars such as Danny and others. Next, Matty was headed for Disney studios where he was given a three picture deal from studio chief Jeffrey Katzenberg. Matty soon directed the summer splash movie, The Inkwell! for Touchstone Pictures. The star studded cast members of the Inkwell included Jada Pinkett-Smith, Larenz Tate, Joe Morton, Morris Chestnut and many other notable names. The Inkwell was made for on a modest $4 million budget and became a summer splash hit in the U.S box office. After The Inkwell's success, Matty developed/produced and directed and developed several television and film projects, "Red Hook" as creator/producer/director of the drama series for Warner Brothers TV/Fox Network, the Tupac Shakur bio picture project for HBO, "Subway Scholar" with Whitney Houston as producer for Showtime Networks. "Tommy Morris vs Ray Mercer" Matty produced, directed the boxing documentary pieces for HBO pay per view, "Free At Last" feature film screenplay for the Weinstein Company and Edmonds Entertainment, "The Kool Moe Dee" Variety Show" for Buena Vista/Disney television. Matty soon headed for Paris, France where he served as Creative Director and Artistic director for the video game, 187 Ride or Die. Matty lead a team of over 100 artists, game designers and programmers. Matty also wrote/directed the 187 Ride or Die 3D animation game cinematics overseeing an animation team in Hong Kong, China. After the release of 187 Ride or Die, Matty formed Matty Rich Games, a Los Angeles based gaming development company that creates games for Apple and Android mobile phones and tablets. Matty hasn't forgotten his filmmaking roots, he is now developing film and television properties that will also feature games under his Matty Rich Games brand. Matty has been a featured speaker in Hollywood's most prominent Video Games conferences; The Ayzenberg A-List Gaming Summit (2011-13).Variety Magazine's 3D Entertainment Summit (2011-2013) Variety Magazine's 3D Gaming Summit (2010-2013). Matty was also the official host for the AT &T gaming & technology exhibition during the 2014 BET Awards Fan Fest weekend in Los Angeles.
Director:
1991 Straight Out of Brooklyn
1994 The Inkwell
???? Birth of the Black Underworld
Producer:
1991 Straight Out of Brooklyn
1994 The Inkwell
???? Birth of the Black Underworld
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.