A work in constant progress (and occasional regress).
Music:
2018 Melodi's Elegy
2022 After The Funeral
Music Director:
2017 One and a Half
2018 Melodi's Elegy
2022 After The Funeral
Music Score Producer:
2017 One and a Half
2018 Melodi's Elegy
2020 Living 3lvis
2022 After The Funeral
2024 REWIND INDONESIA 2023
Original Music Composer:
2017 Errorist of Seasons
2017 One and a Half
2018 Melodi's Elegy
2020 Living 3lvis
2022 A Daughter's Lullaby
2022 After The Funeral
2024 REWIND INDONESIA 2023
Sound:
2017 Errorist of Seasons
2017 One and a Half
2018 Melodi's Elegy
2020 Cerita tentang Jendela
2020 Living 3lvis
2022 A Daughter's Lullaby
2022 After The Funeral
2024 REWIND INDONESIA 2023
Sound Designer:
2017 Errorist of Seasons
2017 One and a Half
2018 A Trip to Malilo
2018 Melodi's Elegy
2019 Bella, the Girl from the Room No. 2
2019 Oldies Buddies
2020 Cerita tentang Jendela
2020 Living 3lvis
2020 Rumah Manis Rumah
2022 A Daughter's Lullaby
2022 After The Funeral
2022 Seperti Sediakala
2022 Stroke
2024 REWIND INDONESIA 2023
Sound Mixer:
2017 Errorist of Seasons
2017 One and a Half
2018 A Trip to Malilo
2018 Melodi's Elegy
2019 Bella, the Girl from the Room No. 2
2019 Oldies Buddies
2020 Cerita tentang Jendela
2020 Living 3lvis
2020 Rumah Manis Rumah
2021 Moving Out
2022 A Daughter's Lullaby
2022 After The Funeral
2022 Seperti Sediakala
2022 Stroke
2024 REWIND INDONESIA 2023
Sound Recordist:
2017 Errorist of Seasons
2017 One and a Half
2018 A Trip to Malilo
2018 Melodi's Elegy
2019 Bella, the Girl from the Room No. 2
2019 Oldies Buddies
2020 Cerita tentang Jendela
2020 Living 3lvis
2020 Quarantine Tales
2020 Rumah Manis Rumah
2021 Moving Out
2022 A Daughter's Lullaby
2022 After The Funeral
2022 Seperti Sediakala
2022 Stroke
2024 REWIND INDONESIA 2023
2024 {04} Home Garden
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.