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Christine Weber

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Alias:
Chris Weber

Biography from TheMovieDB

Christine Weber is an American television documentary executive producer. She has a degree in Biology, and was first sent to the National Geographic offices working as a temps in California. Earlier in her career, Weber traveled the world working on documentaries for various network including National Geographic, NBC, ABC and PBS. She spent a total of thirteen years at National Geographic Television. In 2001, she was hired by British indie producer Tiger Aspect Productions and its wildlife arm Tigress Productions to spearhead their new American venture based in Washington D.C. Starting in 2007, she worked for three years as Senior Vice President of Production for Discovery Studios. In 2010, after acting as interim head of the network, Weber joined Discovery Channel full-time as Vice President of Development and Production for Specials and Events. She was later promoted to Senior Vice President of Global Production Services.

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Film Production

Director:
1993  National Geographic: Lost Kingdoms of the Maya

Executive Producer:
1993  National Geographic: Lost Kingdoms of the Maya
1999  The Noble Horse
2019  Expedition Amelia
2021  Bob Ballard: An Explorer's Life
2021  Flooded Tombs of the Nile
2021  Rise Again: Tulsa and the Red Summer

Producer:
1993  National Geographic: Lost Kingdoms of the Maya
1999  The Noble Horse
2019  Expedition Amelia
2021  Bob Ballard: An Explorer's Life
2021  Flooded Tombs of the Nile
2021  Rise Again: Tulsa and the Red Summer

Production Assistant:
1986  The Mystery of Al Capone's Vaults
1993  National Geographic: Lost Kingdoms of the Maya
1999  The Noble Horse
2019  Expedition Amelia
2021  Bob Ballard: An Explorer's Life
2021  Flooded Tombs of the Nile
2021  Rise Again: Tulsa and the Red Summer

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TV Production

Executive Producer:
2000  Treasure Seekers
2006  The Monastery
2012  How We Invented The World
2017  Inside North Korea
2021  Earth Moods

Supervising Producer:
2000  Treasure Seekers
2006  The Monastery
2012  How We Invented The World
2017  Inside North Korea
2021  Earth Moods

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.