A work in constant progress (and occasional regress).
Birthplace:
Guadalajara, Jalisco, Mexico.
Born:
September 20, 1988
Born in the city of Guadalajara, Jalisco (Mexico) on September 20, 1988. He studied in Aguascalientes the Degree in Cinematographic and Audiovisual Arts at the Autonomous University of Aguascalientes since 2013. He has participated as a meritorious art in Rastos de Restos by Carlos Ornelas and Tiempo Muerto by Iván Ávila Dueñas, winner of the Experimentags prize for the best live movie within of the first edition of the Aguascalientes Film Festival. He participated as Script and sound engineer in Ensayo de Luces and La carretera del norte by Jorge García Navarro. As a producer in Otoño by Hazel Cardenas and A cargo de Antonia, which is in pre-production and is part of the International Festival of Audiovisual Realization FIRA to be held in July 2019 also and the short film Súbito by Verónica Marín. Director of short films such as Casa Tomada in 2016 and #P0ZME in 2018 that has been selected in different festivals nationally and internationally. Producer of the second edition of the National Film Festival of Rioverde (FENACIR) in the state of San Luis Potosi. Member of the coordinating board of the Audiovisual Cluster in Aguascalientes and coordinator of logistics and attention to guests at the Muestra de Cine Posible Estación Central. In the theater he has ventured as an actor in El milagro de sus ojos and Los Angeles del Charlie both under the direction of Rodrigo Esparza, as producer of the cabaret play Saving Chiquerolandya and Todo sea por mi chamacho, as well as in lighting assistance in Hamlet's adaptation of José Alberto Gallardo. He has been a collaborator in the radio program Los Universitarios de Radio UAA as well as in the university Gazette of the same institution, within the advertising has participated in collaboration with the producer Mitrac Films in the production area. He has been invited by the Municipal Institute Aguascalientense for Culture as a speaker at the Mexican Film Forum in its 2016 edition with the analysis of the film The Unusual Catfish by Claudia Sainte-Luce. In 2017 he led the Post Mortem festival special for TvUAA.
Director:
2015 Cocaína
2015 RuRu
2016 House Taken Over
2018 #P0ZME
Director of Photography:
2015 Cocaína
2015 RuRu
2016 House Taken Over
2018 #P0ZME
Producer:
2015 Autumn
2015 Cocaína
2015 RuRu
2016 House Taken Over
2018 #P0ZME
2020 Sudden
Producer's Assistant:
2015 Autumn
2015 Cocaína
2015 RuRu
2016 House Taken Over
2018 #P0ZME
2020 Sudden
2022 Fuego Fatuo
Production Manager:
2015 Autumn
2015 Cocaína
2015 RuRu
2016 House Taken Over
2018 #P0ZME
2019 We need a break
2020 Sudden
2022 Fuego Fatuo
Screenplay:
2015 Autumn
2015 Cocaína
2015 RuRu
2016 House Taken Over
2018 #P0ZME
2019 We need a break
2020 Sudden
2022 Fuego Fatuo
Sound Designer:
2015 Autumn
2015 Cocaína
2015 RuRu
2016 House Taken Over
2018 #P0ZME
2019 We need a break
2020 Sudden
2022 Fuego Fatuo
Writer:
2015 Autumn
2015 Cocaína
2015 RuRu
2016 House Taken Over
2018 #P0ZME
2019 We need a break
2020 Sudden
2022 Fuego Fatuo
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.