A work in constant progress (and occasional regress).
Alias:
Tina Takemoto
TT Takemoto is a queer Japanese American filmmaker and artist exploring Asian American history, sexuality, and identity. Their experimental films delve into hidden dimensions of same-sex intimacy and trauma that exist within Asian and Asian American archives. Takemoto interacts with found footage and archival materials through performance and labor-intensive processes of painting, lifting, and manipulating 16mm/35mm film emulsion using scotch tape, razor blades, and nail polish. By engaging with tactile and sensory dimensions of queer histories, Takemoto conjures up immersive fantasies involving butch surgeons, femme fish filleting, and homoerotic breadmaking. Their films honor queer Asian Americans who lived, loved, and labored together during the prewar era and beyond.
Director:
2011 Looking for Jiro
2014 Sex, Politics and Sticky Rice
2017 Semiotics of Sab
2018 On the Line
2018 Wayward Emulsions
2019 May 35
2019 Sworded Love
2021 Ever Wanting (for Margaret Chung)
2021 HK Uprising
2023 After Bed
2023 Lion in the Wind
2024 For Jina
???? Lift Little Tokyo
???? Sab Shimono: Acting “As If”
Editor:
2011 Looking for Jiro
2014 Sex, Politics and Sticky Rice
2017 Semiotics of Sab
2018 On the Line
2018 Wayward Emulsions
2019 May 35
2019 Sworded Love
2021 Ever Wanting (for Margaret Chung)
2021 HK Uprising
2023 After Bed
2023 Lion in the Wind
2024 For Jina
???? Lift Little Tokyo
???? Sab Shimono: Acting “As If”
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.