A work in constant progress (and occasional regress).
Camera Operator:
1957 Lady of Vengeance
1960 Caught in the Net
1961 As Nature Intended
1962 Dead Man's Evidence
1963 Calculated Risk
1963 Money Sings
1963 The Marked One
1969 Christmas in Britain
Cinematography:
1957 Lady of Vengeance
1960 Caught in the Net
1961 As Nature Intended
1962 Dead Man's Evidence
1963 Calculated Risk
1963 Money Sings
1963 The Marked One
1965 Licensed to Kill
1969 Christmas in Britain
1973 William: The Life, Works and Times of William Shakespeare
Director of Photography:
1957 Lady of Vengeance
1960 Caught in the Net
1961 As Nature Intended
1962 Dead Man's Evidence
1963 Calculated Risk
1963 Money Sings
1963 The Marked One
1964 Sandy, the Reluctant Nature Girl
1965 Licensed to Kill
1966 Miss MacTaggart Won't Lie Down
1968 Lionheart
1968 The London Nobody Knows
1969 Christmas in Britain
1969 The Nine Ages of Nakedness
1971 A Hole Lot of Trouble
1971 Dad's Army
1973 William: The Life, Works and Times of William Shakespeare
1977 Come Play with Me
2000 Nudes, Nudists & Nudism: Volume 4
Writer:
1957 Lady of Vengeance
1960 Caught in the Net
1961 As Nature Intended
1962 Dead Man's Evidence
1963 Calculated Risk
1963 Money Sings
1963 The Marked One
1964 Sandy, the Reluctant Nature Girl
1965 Licensed to Kill
1966 Miss MacTaggart Won't Lie Down
1966 The Naked World of Harrison Marks
1968 Lionheart
1968 The London Nobody Knows
1969 Christmas in Britain
1969 The Nine Ages of Nakedness
1971 A Hole Lot of Trouble
1971 Dad's Army
1973 William: The Life, Works and Times of William Shakespeare
1977 Come Play with Me
2000 Nudes, Nudists & Nudism: Volume 4
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.