A work in constant progress (and occasional regress).
Alias:
Andre Refig
Birthplace:
Blackheath, London, England
André is a dual-nationality French-British actor with a native accent in both languages. He grew up in London to a French father with Turkish-Jewish heritage and American mother of Polish-Irish-German ancestry. He attended the French Lycée in London for the entirety of his schooling, from the age of 4 to 17.. He works on screen, on stage and in video games. Credits include Monsieur Fabian in We Were The Lucky Ones (2024), Aymeric Cassel in Cyberpunk 2077: Phantom Liberty (2023), Killing Eve (2019), Little Birds (2020), Assassin's Creed Valhalla: The Siege of Paris (2022), Meeple in Brawl Stars (2017) as well as the West End revival of Cabaret, originating the roles of Max and Herman and understudying Eddie Redmayne as the Emcee (2021-2022). Before becoming an actor, he studied Physics to PhD level and has published papers in Quantum Mechanics and Computational Electromagnetics.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.