A work in constant progress (and occasional regress).
Alias:
Vicky Howell
Birthplace:
Stoke-on-Trent, Staffordshire, United Kingdom
Born:
May 1, 1969
Victoria Howell is an Actress, Writer, Director and Producer. Having trained as an actor at the Royal Central School of Speech and Drama, she began writing to provide material for children and young people whilst running drama workshops. She went on to co-create various film and theatre projects for her students, including three fully staged musicals – after which she graduated to writing for grownups as well! She still occasionally teaches acting, voice and screenwriting. In 2009 she co-founded Systir Productions, with her sister and co-writer Amy. Together they have created an award-winning webseries, various short films and a TV pilot, while psychological horror feature script, In The Blood, was a semi-finalist in the Bluecat Screenplay contest, and a finalist for their best British feature prize. Their go-to genres are character based horror and sci-fi, with psychological overtones and usually a lot of death… except for that time they created a festival favourite short rom-com with a happy ending! Their proof of concept sci-fi short film AIPA is currently being co-developed with Quivalon. Vicky has also written and/or directed several – occasionally award-winning – short films and webseries on a freelance basis for various producers and companies. As an actor, you can spot her waving knickers in the BBC’s Killing Eve and getting electrocuted in HBO’s The Nevers – all the glamorous roles! When not writing or showing off, she loves to read and often has two or three books on the go.
Writer:
2017 Amoc
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.