A work in constant progress (and occasional regress).
Alias:
Жан-Мишель Карре
جان ميشيل كاريه
Birthplace:
Paris, France
Born:
July 26, 1948
Jean-Michel Carré, born July 26, 1948, in Paris, is a French film director, documentary filmmaker, cinematographer, film producer, and screenwriter. Coming from a modest background, he first studied medicine before turning to filmmaking, a passion he cultivated since his adolescence. He attended IDHEC (now La Fémis), where he earned degrees in filmmaking and directing. From the very beginning, Carré was committed to militant and activist filmmaking. In 1968, he made a documentary on Cuba, which was banned from broadcast, marking the beginning of his commitment to denouncing social and political injustices. In 1974, he co-founded the first censored film festival, affirming his desire to bring about social change through his works. He founded the production company Les Films Grain de Sable, dedicated to criticizing social institutions and systems. His filmography is rich and varied, including documentaries and fiction films that address themes such as working conditions, human rights, and social struggles. Among his notable works are The Putin System (2007), I (Have a Very Bad Day at Work) (2007), and Sex Workers (2010). Carré is also known for his immersive approach to documentaries. For example, for Burning Coals (2000), he spent a year with miners in Wales to capture their reality with authenticity. His work has received numerous awards, including the FIGRA Grand Jury Prize for Kursk: A Submarine in Troubled Waters (2004). His commitment is not limited to cinema, as he has also explored international issues such as apartheid, conflicts in the Middle East, and transformations in China. In 2013, he spoke of his libertarian Maoist past, a contradiction he accepts to explain his interest in complex and nuanced subjects.
Camera Operator:
1977 Christiania
Cinematography:
1976 Le destin de Jean-Noël
1977 Christiania
1985 Tino
Director:
1975 Le Ghetto Expérimental
1976 L'enfant prisonnier
1976 Le destin de Jean-Noël
1977 Christiania
1978 Alertez les bébés
1981 Votre enfant m'intéresse
1985 Tino
1991 Against Oblivion
1993 Galères de femmes
1995 Visiblement je vous aime
1997 Trottoirs de Paris
2000 Burning Coal
2001 Lisa Alisa
2002 Tower Opera
2003 Drôle de genre
2004 Kursk: A Submarine in Troubled Waters
2007 J'ai (très) mal au travail
2007 The Putin System
2010 Les Travailleu(r)ses du Sexe
2016 Putin: The New Empire
2018 China, One Million Artists
2023 Inside Tibet
Director of Photography:
1975 La mort de l'utopie
1975 Le Ghetto Expérimental
1976 L'enfant prisonnier
1976 Le destin de Jean-Noël
1977 Christiania
1978 Alertez les bébés
1981 Votre enfant m'intéresse
1985 Tino
1991 Against Oblivion
1993 Galères de femmes
1995 Visiblement je vous aime
1997 Trottoirs de Paris
2000 Burning Coal
2001 Lisa Alisa
2002 Tower Opera
2003 Drôle de genre
2004 Kursk: A Submarine in Troubled Waters
2007 J'ai (très) mal au travail
2007 The Putin System
2010 Les Travailleu(r)ses du Sexe
2016 Putin: The New Empire
2018 China, One Million Artists
2023 Inside Tibet
Writer:
1975 La mort de l'utopie
1975 Le Ghetto Expérimental
1976 L'enfant prisonnier
1976 Le destin de Jean-Noël
1977 Christiania
1978 Alertez les bébés
1981 Votre enfant m'intéresse
1985 Tino
1991 Against Oblivion
1993 Galères de femmes
1995 Visiblement je vous aime
1997 Trottoirs de Paris
2000 Burning Coal
2001 Lisa Alisa
2002 Tower Opera
2003 Drôle de genre
2004 Kursk: A Submarine in Troubled Waters
2007 J'ai (très) mal au travail
2007 The Putin System
2010 Les Travailleu(r)ses du Sexe
2016 Putin: The New Empire
2018 China, One Million Artists
2023 Inside Tibet
Director:
2003 Masculin/Féminin
2006 Infrarouge
2013 Chine, le nouvel Empire
Screenplay:
1987 Le Monde En Face
2003 Masculin/Féminin
2006 Infrarouge
2013 Chine, le nouvel Empire
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.