A work in constant progress (and occasional regress).
Birthplace:
Le Plessis-Bouchard
Born:
August 29, 1990
Camille Degeye is born in 1990 in France. She lives and works in Paris. She’s graduated from a professional master in cinematographic creation and she’s a member of Etna and L’Abominable, both artists collectives where she developed her practice of artisanal filmmaking. Camille's cinema focuses on the switch between narrative and dreamlike, surrendering to reality in often ghostly and obscure dimensions. Her work on film contributes to highlighting this fragility, in a quest for a collective and political memory. In 2022, Camille Degeye joined the collective La Clef Revival which - through the fight to save the cinema La Clef in Paris - fights for the programming and the production of a free, an independent and an outsider cinema.
Director:
2015 Twenty years old for only luggage
2016 Lightnings
2016 The Forsaken
2019 Journey Through a Body
2021 Brûler dans la ville
2022 Almost a Kiss
2023 Adomination
Director of Photography:
2015 Twenty years old for only luggage
2016 Lightnings
2016 The Forsaken
2019 Journey Through a Body
2021 Brûler dans la ville
2022 Almost a Kiss
2023 Adomination
Editor:
2015 Twenty years old for only luggage
2016 Lightnings
2016 The Forsaken
2019 Journey Through a Body
2021 Brûler dans la ville
2022 Almost a Kiss
2023 Adomination
Screenplay:
2015 Twenty years old for only luggage
2016 Lightnings
2016 The Forsaken
2019 Journey Through a Body
2021 Brûler dans la ville
2022 Almost a Kiss
2023 Adomination
Writer:
2015 Twenty years old for only luggage
2016 Lightnings
2016 The Forsaken
2019 Journey Through a Body
2021 Brûler dans la ville
2022 Almost a Kiss
2023 Adomination
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.