A work in constant progress (and occasional regress).
Director, editor and producer. Jordan River has made significant contributions to the industry of cinematography; as an author/expert on new technologies, he wrote such publications as “3D Stereoscopico” (FAG Edizioni Milano); “Comunicare in 3D” (Bruno Editore). As producer and director of documentaries and other audiovisual content, his quality work has been rewarded by receiving numerous film festival awards, and recognition from industry associations, etc. Furthermore, he has been a guest and speaker at various professional conferences, including Rome Fiction Fest (2009), Venice International Film Festival (2009), Rome International Film Festival (2009), Festival de Cannes (2010) and the Cinema 3D Workshop at the 8th Festival Cinemada Mare, which was attended by 100 directors from 47 foreign countries. Jordan River has had a rich, and diversified portfolio of successful career experiences to date; for example, some of his productions at a very young age garnered two directing awards, and were even broadcast on Italian network and cable TV, including Sky. After various work-experiences in Los Angeles (USA) and training periods in Europe, including the London Film Academy (UK), and the City, University of London (UK), he directed and produced in Italy the first 3D stereovision, immersive documentaries. In 2015, he directed and produced “Hollywood Italian Lifestyle 3D”, filmed in the USA, and winner of the Global Music Award (for music composed by Angelo Talocci). In 2016, he was director and executive producer of “Shaolin Tea Ceremony” (Official Selection at the Universal Martial Arts Film Festival in France). “Shaolin Tea Ceremony”, filmed at the Shaolin Temple in Los Angeles, and realized in collaboration with the YFF Foundation USA, reveals for the first time the elegant complexity of the ancient tea ceremony as practiced for centuries in Shaolin monasteries. He directed and produced “Stonehenge, The Temple of the Druids” (The Lift-Off Sessions Pinewood Studios, UK; International Nature Film Festival; Golden Award Winner International Screen Awards), filmed in 4K in the Wiltshire, England. Jordan River’s movies have won various significant international awards, for example: “The Origins of Cinematography” (distributed by Istituto Luce Cinecittà) recently won Best Documentary by the 2018 Nevada International Film Festival and “Caravaggio, The Power Light”, awarded as Best Documentary at the 22nd Siena International Film Festival. In 2019, he directed “Dance, The Audition” (RAI Television). In 2020, he directed and produced “Artemisia Gentileschi, Warrior Painter” (awarded as Best Documentary at the 24nd Terra di Siena International Film Festival 2020; Best Feature Docudrama at Global Nonviolent Film Festival 2020, Finalist at Los Angeles Cinematography Awards 2020, Official Selection at International Documentary Festival Visioni dal Mondo 2020). Despite all these numerous awards, Jordan River is not resting on his laurels: he continues to work on new international projects, and pursue cutting edge innovative technologies to bring to market exciting and quality audiovisual content for the enjoyment of consumers worldwide.
Director:
2019 Dance, The Audition
2020 Artemisia Gentileschi, Warrior Painter
2024 Il monaco che vinse l'Apocalisse
???? Caravaggio, la potenza della luce
Editor:
2019 Dance, The Audition
2020 Artemisia Gentileschi, Warrior Painter
2024 Il monaco che vinse l'Apocalisse
???? Caravaggio, la potenza della luce
Executive Producer:
2019 Dance, The Audition
2020 Artemisia Gentileschi, Warrior Painter
2024 Il monaco che vinse l'Apocalisse
???? Caravaggio, la potenza della luce
Writer:
2019 Dance, The Audition
2020 Artemisia Gentileschi, Warrior Painter
2024 Il monaco che vinse l'Apocalisse
???? Caravaggio, la potenza della luce
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.