A work in constant progress (and occasional regress).
Alias:
Alejandro Legaspi Etchechury
Birthplace:
Montevideo, Uruguay
Born:
March 27, 1948
Born in Uruguay in 1948. In 1967 he studied painting at the School of Fine Arts. The following year he joined the Cinematheque del Tercer Mundo and collaborated as a cameraman on the documentary: The Flag We Raise and as an editor in A measles epidemic. In 1974 he emigrated to Peru where he formed the production company Marcha and devoted himself to making documentaries, among which the following stood out: And it remains silent and Hit that drawer. In 1979, in Nicaragua, he participated in Victoria de un pueblo en armas (documentary) and in the fiction feature Insurrección by Peter Lilienthal. He was also an advisor to the Nicaraguan Film Institute. In 1982 -with Stefan Kaspar, Fernando Espinoza, María Barea, Fernando Barreto- he formed the Grupo Chaski film collective in Lima. He worked as a cameraman, editor and director of documentaries such as Miss Universe in Peru, Peru ni leche ni gloria, Paths of liberation, Encounter of little men, Margot the circus, Crisanto el haitiano and co-directed feature films such as Gregorio (1984) and Juliana ( 1989). In the 90s he directed documentaries and fiction short films for the production company Verde Luna. Later, he directed the documentary Tiempo de memoria (2005), Dreams far away (2007), Otto Brun's The Haphazard Path of Faith (2012) and the fictional feature film The Last News (2014); among others. At the same time, he has served as a professor at the Catholic University of Peru and the Charles Chaplin Institute in courses on: filmmaking, journalistic documentary and photography direction. He, likewise, has been on two occasions a jury at the Havana Film Festival and a jury at the contest for film projects in Colombia, Uruguay and Peru.
Camera Supervisor:
1980 The Uprising
Cinematography:
1974 El cine de cada día
1980 The Uprising
1985 Gregorio
1985 Paths of liberation
Director:
1974 El cine de cada día
1980 The Uprising
1982 Miss Universe in Peru
1985 Gregorio
1985 Paths of liberation
1987 Margot, la del circo
1987 Meeting of little men
1988 Juliana
1989 Crisanto, el haitiano
2005 Time of memory
2007 Sueños lejanos
2015 The Last News
Director of Photography:
1971 La Bandera que Levantamos
1974 El cine de cada día
1980 The Uprising
1981 El clavel desobediente
1982 Miss Universe in Peru
1985 Gregorio
1985 Paths of liberation
1987 Margot, la del circo
1987 Meeting of little men
1988 Juliana
1989 Crisanto, el haitiano
1998 Loco Lucho
2005 Time of memory
2007 Sueños lejanos
2015 The Last News
???? Cota y los Niños
???? Mujeres de El Planeta
Editor:
1971 La Bandera que Levantamos
1974 El cine de cada día
1980 The Uprising
1981 El clavel desobediente
1982 Miss Universe in Peru
1985 Gregorio
1985 Paths of liberation
1987 Margot, la del circo
1987 Meeting of little men
1988 Juliana
1989 Crisanto, el haitiano
1998 Loco Lucho
2005 Time of memory
2007 Sueños lejanos
2015 The Last News
2024 Iquitos, la primera ciudad en caer
???? Cota y los Niños
???? Mujeres de El Planeta
Writer:
1971 La Bandera que Levantamos
1974 El cine de cada día
1980 The Uprising
1981 El clavel desobediente
1982 Miss Universe in Peru
1985 Gregorio
1985 Paths of liberation
1987 Margot, la del circo
1987 Meeting of little men
1988 Juliana
1989 Crisanto, el haitiano
1998 Loco Lucho
2005 Time of memory
2007 Sueños lejanos
2015 The Last News
2024 Iquitos, la primera ciudad en caer
???? Cota y los Niños
???? Mujeres de El Planeta
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.