Jason Stallman

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Executive Producer:
2020  Dominic Fike, At First
2020  Hurricane of Fire
2020  The Killing of Breonna Taylor
2020  The Teenager Who Hacked Twitter
2020  They Get Brave
2021  Controlling Britney Spears
2021  Framing Britney Spears
2021  Malfunction: The Dressing Down of Janet Jackson
2021  Move Fast & Vape Things
2021  Who Gets To Be an Influencer?
2022  Elon Musk's Crash Course
2022  Superspreader
2023  The Legacy of J Dilla
2024  Broken Horses
2024  Sorry/Not Sorry

Supervising Producer:
2020  Dominic Fike, At First
2020  Hurricane of Fire
2020  The Killing of Breonna Taylor
2020  The Teenager Who Hacked Twitter
2020  They Get Brave
2021  Boeing's Fatal Flaw
2021  Controlling Britney Spears
2021  Framing Britney Spears
2021  Malfunction: The Dressing Down of Janet Jackson
2021  Move Fast & Vape Things
2021  Who Gets To Be an Influencer?
2022  Elon Musk's Crash Course
2022  Superspreader
2023  The Legacy of J Dilla
2024  Broken Horses
2024  Sorry/Not Sorry

Thanks:
2020  Dominic Fike, At First
2020  Hurricane of Fire
2020  The Killing of Breonna Taylor
2020  The Teenager Who Hacked Twitter
2020  They Get Brave
2021  Boeing's Fatal Flaw
2021  Controlling Britney Spears
2021  Framing Britney Spears
2021  Malfunction: The Dressing Down of Janet Jackson
2021  Move Fast & Vape Things
2021  Who Gets To Be an Influencer?
2022  Elon Musk's Crash Course
2022  Superspreader
2023  How We Get Free
2023  The Legacy of J Dilla
2024  Broken Horses
2024  Sorry/Not Sorry

Executive Producer:
2019  The Weekly
2020  The New York Times Presents

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.