A work in constant progress (and occasional regress).
Angel Kristi Williams is an award winning filmmaker born and raised in West Baltimore, Maryland. She was 8 years old when her late father gave her a VHS camcorder which sparked her love for the medium. After studying visual art, photography and experimental film, Angel developed a voice that embraces silence and the power of the image to tell a story. Her feature directorial debut Really Love, produced by MACRO, won the Special Jury Recognition for Acting for co-stars Kofi Siriboe and Yootha Wong-Loi-Sing at SXSW. The film then played as part of AFI Fest’s Special Presentations to much acclaim. Angel is a Sundance Institute Momentum Fellow as well as a Film Independent Project Involve Directing Fellow, where she was the recipient of their Sony Pictures Diversity Fellowship. Angel won an NAACP Image Award for directing Colin in Black and White, her first episode of television. She directed an episode of Naomi for CW and will later helm the season 2 opener of Cherish the Day for OWN. She splits her time between Baltimore and Los Angeles and holds an MFA in Directing from Columbia College Chicago. Source: http://www.angelkristiwilliams.com/about/
Director:
2015 Charlotte
2020 Really Love
Executive Producer:
2015 Charlotte
2016 Care
2016 Firefly
2016 Get the Life
2016 Reagan
2016 They Charge for the Sun
2020 Really Love
Producer:
2014 Touch
2015 Charlotte
2016 Care
2016 Firefly
2016 Get the Life
2016 Reagan
2016 They Charge for the Sun
2020 Really Love
Writer:
2014 Touch
2015 Charlotte
2016 Care
2016 Firefly
2016 Get the Life
2016 Reagan
2016 They Charge for the Sun
2020 Really Love
Director:
2020 Cherish the Day
2021 Colin in Black and White
2022 Naomi
2023 Beacon 23
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.