A work in constant progress (and occasional regress).
Director:
2016 Only Blockbusters Left Alive: Monopolizing Film Distribution in Turkey
2019 Heads and Tails
2022 March 8, 2020: A Memoir
2023 Translating Ulysses
2024 Seen Unseen: An Anthology of (Auto)Censorship
2025 Happiness
???? Happiness
Director of Photography:
2016 Only Blockbusters Left Alive: Monopolizing Film Distribution in Turkey
2019 Heads and Tails
2022 March 8, 2020: A Memoir
2023 Translating Ulysses
2024 Seen Unseen: An Anthology of (Auto)Censorship
2025 Happiness
???? Happiness
Editor:
2016 Audience Emancipated: The Struggle for the Emek Movie Theater
2016 Only Blockbusters Left Alive: Monopolizing Film Distribution in Turkey
2019 Heads and Tails
2020 CemileSezgin
2022 March 8, 2020: A Memoir
2023 Translating Ulysses
2024 Seen Unseen: An Anthology of (Auto)Censorship
2025 Happiness
???? Happiness
Music:
2016 Audience Emancipated: The Struggle for the Emek Movie Theater
2016 Only Blockbusters Left Alive: Monopolizing Film Distribution in Turkey
2019 Heads and Tails
2020 CemileSezgin
2022 March 8, 2020: A Memoir
2023 Translating Ulysses
2024 Seen Unseen: An Anthology of (Auto)Censorship
2025 Happiness
???? Happiness
Producer:
2016 Audience Emancipated: The Struggle for the Emek Movie Theater
2016 Only Blockbusters Left Alive: Monopolizing Film Distribution in Turkey
2019 Heads and Tails
2020 CemileSezgin
2022 March 8, 2020: A Memoir
2023 Translating Ulysses
2024 Seen Unseen: An Anthology of (Auto)Censorship
2025 Happiness
???? Happiness
Writer:
2016 Audience Emancipated: The Struggle for the Emek Movie Theater
2016 Only Blockbusters Left Alive: Monopolizing Film Distribution in Turkey
2019 Heads and Tails
2020 CemileSezgin
2022 March 8, 2020: A Memoir
2023 Translating Ulysses
2024 Seen Unseen: An Anthology of (Auto)Censorship
2025 Happiness
???? Happiness
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.