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Florencia de Mugica

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Alias:
Flor de Mugica

Birthplace:
Buenos Aires, Argentina

Biography from TheMovieDB

Florencia de Mugica is an Argentine producer with a Master's in Audiovisual Distribution and Business from ECAM and another in Film Curating from EQZE. Degree in dramatic arts, she later specialized in cinema and film production. In late 2014, she founded her production company, Bomba Cine, with a focus on emerging directors and producing their first and second feature films.  Her work has premiered at renowned festivals such as Berlinale, San Sebastián, Mar del Plata, BAFICI, BFI London, Valdivia, and Doc Lisboa. As a producer, she has worked on films such as La noche (2016), La verdad interior (2018), Mama, mama, mama (2020), Mision a Marte (2023), Bird (2023), and Una sombra oscilante (2024).  Currently based in Spain, Florencia continues to contribute to the industry while simultaneously being involved in the Europe-Latin America Co-Production Forum at the San Sebastián International Film Festival (SSIFF) and her work in the industry department at SEMINCI.

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Additional information:

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Film Performances

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Film Production

Director:
2019  La excusa del sueño americano

Executive Producer:
2016  The Night
2019  La excusa del sueño americano

Post Production Producer:
2016  The Night
2019  La excusa del sueño americano

Producer:
2016  The Night
2019  La excusa del sueño americano
2021  PINPIN
2023  Bird
2024  An Oscillating Shadow

Writer:
2016  The Night
2019  La excusa del sueño americano
2021  PINPIN
2023  Bird
2024  An Oscillating Shadow

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.